All posts by: Dakota Draper

Monty Python’s Spamalot Audition

audition notice..

EMERGENCY CASTING CALL: Cabaret

Director: Sam Williams
Music Director: David Williams
Choreographer: Sarah Williams

When: Sunday April 22 at 10:00 AM
Where: Sutter Street Theatre, 717 Sutter Street, Folsom 95630

The audition will consist of a prepared song and cold readings from the script plus some
dancing. Dress appropriately for movement if you are auditioning for a dancing role.

What to bring: A head shot and resume if you have them plus a prepared short song
with sheet music. There will be an accompanist available, so sheet music is preferred.
If that is not possible backing tracks on your phone are acceptable.

We are looking for 6 male actors to fill the following roles:
Ernst
Max
Bobby
Victor
Hans
Herbert

The show runs May 26-June 25
Fridays & Saturdays at 7:30pm
Sundays at 4:30pm

Rehearsals are April 15-May 25, Monday-Thursday evenings. There can be no conflicts for tech week or performances. We can usually work around rehearsal conflicts if they’re minor.
For further information call the Director at 916-600-2096

Aladdin Jr.

July 29th – August 20th
Saturdays & Sundays at 1:00 PM

Music by Alan Menkin
Lyrics by Howard Ashman, Tim Rice, and Chad Beguelin
Book by Chad Beguelin

Music Direction by Connie Mockenhaupt
Choreography by Devin LePage & Keira LePage
Directed by Kate Rolls

Rated: G

The story you know and love has been given the royal treatment! Aladdin and his three friends, Babkak, Omar, and Kassim, are down on their luck until Aladdin discovers a magic lamp and the Genie who has the power to grant three wishes. Wanting to earn the respect of the princess, Jasmine, Aladdin embarks on an adventure that will test his will and his moral character.

 

Click Here to Purchase Tickets

Cabaret Audition

 

Book by Joe Masteroff, Music by John Kander
Director: Sam Williams
Musical Director: David Williams
Choreographer: Sarah Williams

When: Sunday April 2 at 7:00pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom 95630

The audition will consist of a prepared song and cold readings from the script plus some
dancing. Dress appropriately for movement if you are auditioning for a dancing role.

What to bring: A head shot and resume if you have them plus a prepared short song
with sheet music. There will be an accompanist available, so sheet music is preferred.
If that is not possible backing tracks on your phone are acceptable.

The role of the emcee is precast. All other roles are open.

The show runs on Fridays and Saturdays at 7:30pm and Sundays at 4:30pm from May
26 through June 25.

Rehearsals are Monday through Thursday in the evenings, April 10 through May 25.
There can be no conflicts for tech week (May 22 – May 25) or the performances. We
can usually work around rehearsal conflicts if they are minor.

For further information call the theatre at 916-353-1001.

Stage Manager Needed

Stage Manager Needed!

Paid position

Sutter Street Theatre is currently recruiting for a Part – Time Stage Manager. The Stage Manger is
responsible for assisting the Director in overseeing and organizing the production. The Stage Manager
directly supports the Director in rehearsals, and takes over primary responsibility for the production
once the show opens. This position requires excellent organizational and communication skills, and the
ability to multitask in a high energy, active environment. Must be able to think quickly and remain calm
under pressure.

Experience preferred but not necessary

 

Job Duties:
● Attend production meetings and take and distribute notes

● Be present at rehearsals and performances

● Copy and distribute any scripts, hand-outs, contact lists, emails etc. to cast and crew

● Responsible for ensuring that performances run smoothly and to schedule.

● Collaborate with the ASM’s to organize the practical and technical aspects of rehearsals and shows.

● Maintain communication with the Director and Production Team

● Maintain sign-in sheet for actors

● Ensure stage directions are written in Tech script

● Responsible for safety check before and after each rehearsal, making sure there are no
safety hazards

● Call and manage breaks

● Is “on book” for actors, following the script and giving line prompts

● Ensure set and props are in the right place for rehearsal and production

● Ensure that performers and crew are in the right place at the right time for rehearsal and
production

● Maintain the backstage and theater space, cleaning up, emptying garbage before and after
performances.

● Track props and costumes, and report any missing or damaged items to appropriate
personnel

● Conduct pre-rehearsal “fight calls” when relevant to the show

● Address technical difficulties during rehearsals and performances and works with
technicians to ensure they are resolved

● Report any broken props, costumes, set pieces to the Director.

● Report any problems with the cast and crew to the Director and Artistic Director

● Ensure all equipment is off and lock and alarm theatre when necessary

You’re a Good Man Charlie Brown Auditions

Book, Music and Lyrics by Clark Gesner
Additional Dialogue by Michael Mayer
Additional Music and Lyrics by Andrew Lippa
Directed by Brayden Plumb
Vocal Direction by Hannah Hurst

Audition Date: Saturday, April 22, 2023 at 10am
Callback Date: Monday, April 24, 2023 at 7pm
Location: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

* AGES 16 AND OLDER TO AUDITION *

This show is typically done with kids, but is written to be played by adults or young adults for comedic effect. For that reason, we will only be casting actors ages 16 and older. This show will be cast around the ages of those who audition, so make sure to let your fellow actor friends in your age range know about the auditions!

Rehearsal Schedule: https://tinyurl.com/charlie-brown-schedule

Tech Week: May 29th to June 1st

Show Dates: June 3rd to 25th, Saturdays & Sundays at 1pm

Due to the very short rehearsal process, conflicts will be very hard to work around. Try to have as few as possible. The Saturday rehearsals, tech week, and show dates are all REQUIRED.

What to Bring:

  • Resume & Headshot
  • All Schedule Conflicts (if any)
  • A 32 bar music track of a Broadway Musical song of similar style. (Less than 1 minute of music though please)

Music Note: This show will be performed with tracks, and not a live band. For this reason auditions will NOT have a live accompanist. Bring a track on your phone and make sure it can plug into an aux headphone port.

Any additional concerns or questions can be sent to the director Brayden at braydenplumb@gmail.com.

 

SUMMARY

With charm, wit, and heart, You’re A Good Man, Charlie Brown explores life through the eyes of Charlie Brown and his friends in the Peanuts gang. This revue of songs and vignettes, based on the beloved Charles Schulz comic strip, Musical numbers include “My Blanket and Me,” “The Kite,” “The Baseball Game,” “Little Known Facts,” “Suppertime,” and “Happiness.” Guaranteed to please audiences of all ages!

 

CHARACTERS

CHARLIE BROWN – Baritone – A lovable loser, a child possessed of endless determination and hope, but who is ultimately dominated by his insecurities and a “permanent case of bad luck”. He is often taken advantage of by his peers. Looking for a strong Baritone voice and character actor who can drive the show.

LUCY VAN PELT – Mezzo-Soprano – A crabby, bossy, selfish girl! She is especially mean to Charlie Brown and her “stupid” little brother Linus. Lucy is in love with Schroeder who has NO interest in her whatsoever. Lucy is loud, obnoxious and has a very strong personality. We would rather see the obnoxious aspect of Lucy in the physicality than the vocals in your audition for this role.

LINUS VAN PELT – Baritone – He is Lucy’s younger brother. Linus always means well and tries to smooth over any storms that arise amongst the gang. A source of frustration for him is Lucy, who always belittles him, particularly over his “stupid blanket” which is always at his side. He is one of Charlie Brown’s best friends. Strong actor that can play Linus more serious down to earth side, which gives him his comedic side. Tap experience is a plus!

SCHROEDER – Tenor – He has a precocious skill at playing the piano, as well as by his love of classical music and the composer Ludwig van Beethoven. Lucy is infatuated with Schroeder but since Beethoven is a lifelong bachelor, Schroeder feels that he must emulate every aspect of his idol’s life. A strong tenor and character actor that can show his more composed side, as well as his obsessive side.

SNOOPY – Tenor – He is Charlie Brown’s pet beagle, and is owned and cared for by Charlie Brown although at times it is not clear who is in charge. Snoopy is blessed with a rich fantasy life. A strong physical and comedic actor that can really sell Snoopy’s imagination, and show how ravenous of a dog he can be.

SALLY BROWN – Soprano – Charlie Brown’s younger sister. Sally has a “take it easy” approach to life, preferring to slide by while doing as little work as possible.  She is hopelessly in love with Linus. Sally has philosophies on life although they are not the most well thought out philosophies. A strong comedic actor who can show Sally’s more innocent younger side but also her cynical views on life.

Snow White and the Seven Dwarfs Auditions

Book, Music and Lyrics by Carol Weiss
Directed by Allen Schmeltz

When: Sunday, March 5 at 7:00pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom 95630

This is a musical. Musical director to be determined. 

The audition will consist of a prepared song and cold readings from the script.

What to bring: head shot and resume if you have them plus a prepared short song with
a CD accompaniment or backing tracks on your phone There will not be an
accompanist.

All roles are open with none precast.

The show runs on Saturdays and Sundays at 1:00pm from April 22 to May 21.

Rehearsals are usually Monday through Thursday in the evenings, March 20 through
April 20. Some weekend rehearsals may also be scheduled if needed. There can be no
conflicts for tech week (April 16-20) or the performances. We can usually work around
rehearsal conflicts if they are minor.

Cast Descriptions
 
Witch Wicked – (female – older teen to adult) a Southern witch, who loves her Special
Powers, a bit forgetful.

The Queen – (female – older teen to adult) cold, evil and beautiful, a spoiled brat.

Mirror – (male or female, child to teen) has major attitude, but is also wise.

Snow White – (female, older teen or young adult) Sweet but with backbone.
 
Sir Pompous – (male, older teen to adult) The Queen’s Minister. Good-hearted, but a nervous nellie. Perhaps a bit vain. Afraid of the Queen.

The Prince – (male, older teen to young adult) a clever and brave typical fairy tale
prince.

Lady Penelope – (female, older teen to adult) a lady-in-waiting. Suspicious about everything.

Lady Lucinda – (female, older teen to adult) a lady-in-waiting. Very vain.

Lady Mathilda – (female, older teen to adult) a lady-in-waiting. Nice, not too bright.

Sir Clumsy – (male, older teen to adult) as his name implies.

Sir Silly – (male, older teen to adult) he and Clumsy are sort of the two stooges.

The Dwarfs: (the dwarfs can be male or female, children to teens and we may even
consider adults)

Picker and Packer – the twins, more muscle than brains
Cutter – always nervous
Grinder – probably chubby because he loves to eat
Woeful – always sad and crying
Mouse – he’s mute and mimes
Keeper – gruff, the leader of the dwarfs

Heathers Audition Info

Heathers The Musical: Teen Edition

Greetings and Salutations! Below is the Cast information, summary, and music links for Heathers the Musical: Teen Eddition

 

Character List:

VERONICA SAWYER – 17. She burns to be both cool and kind, but doesn’t know yet how to be both at the same time. Fierce sense of right and wrong, keen sense of ironic humor. Thinks she’s an old soul, but she’s still innocent enough to be blindsided by love/hormones (or shocked by cruelty). Voice: High belting required, up to Ab. Must have dynamic and stylistic range.

JD – 17. He is darkly charismatic, compelling, attractive, charming on the outside yet very damaged on the inside. Keen smarts and strong inventive comedy. Voice: Strong, confident belt to at least an Ab, A preferable; wide emotional range.

HEATHER CHANDLER – 17. Richest, hottest, most magnetic, cruelest girl in town. Relishes power and wields it like a scalpel – no fear, no patience, no mercy. Voice: Strong belt to F or higher preferred.  Mezzo for chorus. NOTE: In certain choral songs Chandler can switch parts with her other Heathers as needed.

HEATHER MCNAMARA – 17. Beautiful, innocent, stupid, can be mean on command if Heather Chandler orders it, but actually quite vulnerable and fearful. Voice: Strong belt to Db, D preferred. Soprano for chorus. NOTE: in certain choral songs Heather Mac and Duke can switch vocal parts as needed.

HEATHER DUKE – 17. Whipping-girl of the 3 Heathers. When she finally becomes Queen Bee she wields power like a bulldozer. Alto for chorus. Voice: Strong belt to C, D preferred.  Alto for chorus. NOTE: in certain choral songs Heather Duke and Mac can switch vocal parts as needed.

MARTHA DUNNSTOCK – 17. Nicknamed “Martha Dumptruck”, the opposite of hot, confident, or popular. Huge and beautiful soul, optimistic even in the face of rejection. Voice: Strong belt to E or F, wide vocal expression.

RAM SWEENEY – 17, Linebacker. Big, insensitive to the feelings of others, ruled by appetites. Voice: Strong Baritone, belt to G, some Falsetto useful.

KURT KELLY – 17. Quarterback and Captain. Big, chiseled, rude, entitled, cocky. Mean, thinks he’s the brains in the friendship with Ram. Voice: Tenor, strong belt to Ab or A, some Falsetto. NOTE: in certain songs Ram and Kurt can switch choral assignment if, say, Ram sings higher than Kurt.

RAM’S DAD – Former football player turned suburban Dad, has never outgrown his glory days in high school. Hates weakness, but capable of soul-searching when tragedy strikes.

BIG BUD DEAN – JD’s single Dad. Big jolly personality that barely conceals the enormous rage bubbling just below the surface. Quite possibly a serial bomber.

COACH RIPPER – Stalwart, man’s man; quick to defend his players.

MS. FLEMING – Aging hippie teacher, still yearning for the day the Age of Aquarius reaches Ohio. Hungry for the spotlight, resentful of entitled youth. Aging hippie teacher, still yearning for the day the Age of Aquarius reaches Ohio. Hungry for the spotlight, resentful of entitled youth.

VERONICA’S MOM – Easygoing, distant, yet capable of laying down the law. Voice: Great belt up to C, higher always welcome.

KURT’S DAD – Straight-laced, very conservative, also former football player. A simple guy, not book smart, you’d be happy to share a beer with him.

VERONICA’S DAD – Easygoing and distant.

PRINCIPAL GOWAN -Rumpled, burned out, hates conflict.

BELEAGUERED GEEK (BOY 1) – A put-upon, bitter geek. Voice: Bari (up to F#) or Tenor (up to A).

PREPPY STUD (BOY 2) – A blowdried 80’s preppy. Voice: Bass (up to E) or Bari (up to G#).

HIPSTER DORK (BOY 3) – Thinks he’s Ducky from ‘Pretty In Pink.’ Voice: Bari (up to F#) or Tenor (up to A).

NEW WAVE GIRL (GIRL 1) – A sullen New Wave girl. Voice: Belt to at least C# (a Soprano up to high A/B is also a plus).

STONER CHICK (GIRL 2) – A fuzzyheaded stoner chick. Voice: Belt to at least C# (a Soprano up to high A/B is also a plus).

YOUNG REPUBLICANETTE (GIRL 3) – A tennis-playing, uptight Student Council type. Voice: Belt to at least C# (Soprano up to high A/B is also a plus).

 

SUMMARY

Heathers The Musical: Teen Edition is the darkly delicious story of Veronica Sawyer, a brainy, beautiful teenage misfit who hustles her way into the most powerful and ruthless clique at Westerberg High: the Heathers. But before she can get comfortable atop the high school food chain, Veronica falls in love with the dangerously handsome new kid J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to bite the bullet and kiss Heather’s aerobicized butt… but J.D. has another plan for that bullet.

Brought to you by the award-winning creative team of Kevin Murphy (Reefer Madness, Desperate Housewives), Laurence O’Keefe (Bat Boy, Legally Blonde) and director Andy Fickman (Reefer Madness, She’s the Man), Heathers The Musical: Teen Edition is a hilarious, heartfelt and homicidal new show based on the greatest teen comedy of all time.

Are you in, or are you out?

Changes made to the Teen Edition

(1) Removal of curse words as well as onstage smoking, drinking and R-rated sexual scenes (note: there are still PG-13 sexual scenes).
(2) Replace “Blue” with “You’re Welcome,” a new song created by the authors that adds Veronica’s perspective.
(3) Changes to lyrics and stage directions of “Big Fun” to remove drinking and recreational drug use.
(4) Changes to lyrics and stage directions of “Dead Girl Walking” to remove R-rated sexual scenes.

 

Link to the soundtrack (teen edition):

https://www.youtube.com/playlist?list=PL1m04KVklyHSkYGqtKxSihEr_PFnQs6D3

 

Murder on the Orient Express Audition

Adapted by Ken Ludwig
Directed by Connie Mockenhaupt

When: Sunday, January 22 at 7:00pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

REHEARSALS: January 30 – March 2 on Mondays through Thursdays at 7:00pm.
PERFORMANCES: March 3 – April 2 on Fridays and Saturdays at 7:30pm and Sundays at 4:30pm

WHAT TO BRING: A resume and head shot if you have them. Auditions will be cold readings
from the script.

SYNOPSIS: Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious
train is surprisingly full for the time of the year, but by the morning it is one passenger fewer.
An American tycoon lies dead in his compartment, stabbed eight times, his door locked from
the inside. Isolated and with a killer in their midst, the passengers rely on detective Hercule
Poirot to identify the murderer – in case he or she decides to strike again.

Character Descriptions:

Hercule Poirot: Male, 55-65
A famous Belgian detective; a "Big" personality; authoritative, witty, charismatic and slightly
pompous; driven to find the answers, good or bad, with a strong moral sense; very aware of his
ability and his well deserved reputation.

Monsieur Bouc: Male, 30s-60s
A Belgian man of good humor; playful, proud, generous; a predilection for grandeur; a
whirlwind of energy; must be an excellent comedian.

Mary Debenham: Female, 30s-40s
An English beauty; a governess, capable yet romantic; a sadness around her eyes and a
hardness about her person.

Hector MacQueen: Male, 30s-40s
Tightly wound, edgy and nervous; he seems to always be on the verge of falling apart or coming
unwound.

Michel the Conductor/Marcel: Male, 30s-60s
One actor will play two roles: Michel: a good-looking Frenchman, about 40, a quiet, almost
grave sense of humor; unfailingly polite; Marcel: a Turkish waiter, snooty, smooth; must have
great comic timing.

Princess Dragomiroff: Female, Older
A Russian dowager; very formal, a sweeping, impressive presence; imperial, impatient.

Greta Ohlsson: Female, 20s-60s
Inherently odd, and very devout Swedish woman; a frightened, sheeplike quality; must be an
excellent comedienne with a Swedish accent.

Countess Andrenyi: Female, 20s-40s
Brilliantly beautiful, like something out of a fairytale; impeccably put together, with a warmth
that wins over everyone she meets; her delicacy belies a steely edge; she is no wilting flower;
Hungarian accent.

Helen Hubbard: Female, 40s-60s
An outspoken and flamboyant American from the Midwest; jovial, obnoxious, domineering,
deliciously nosy and brash; unapologetic; must be an excellent comedienne.

Samuel Ratchett: Male, 30s-60s
Middle-aged American businessman, evil at heart and frightening, brusque, unforgiving, stern
demeanor; pushy, domineering.

Colonel Arbuthnot: Male 30s-60s
Scotsman, also middle aged, handsome, very matter of fact, occasionally tender; must have
great comic timing.

Alice in Wonderland Audition

Written by Kathryn Schultz Miller
Directed by Mike Jimena

When: Wednesday, December 28 at 7:00pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

Casting for two actors ages 13 through adult to play multiple roles; Tweedledum and Tweedledee, Cheshire Cat, Caterpillar plus a puppeteer for some characters.

REHEARSAL: Wednesdays, January 4, 11 & 18 at 4:00pm and Tech Week, January 23-26 at 6:00pm.
PERFORMANCES: January 28 – February 26 on Saturdays and Sundays at 1:00pm

WHAT TO BRING: A resume and head shot if you have them. Auditions will be cold readings from the script.

SYNOPSIS: Welcome to Wonderland where everything is curiouser and curiouser! Follow Alice down the rabbit hole in this exciting adventure full of strange and fantastic characters. As Alice makes her way through the Tulgey Wood, she quickly meets characters such as the White Rabbit and Queen of Hearts. So don’t be late! Come join Alice and her friends for a short, fun-filled, journey through Wonderland.

Murder on the Orient Express

March 3 – April 2
Fridays & Saturdays at 7:30 PM
Sunday at 4:30 PM

Rated: PG-13

Written by Agatha Christie
Adapted by Ken Ludwig

Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed eight times, his door locked from the inside. Isolated and with a killer in their midst, the passengers rely on detective Hercule Poirot to identify the murderer – in case he or she decides to strike again.

Escanaba in Da Moonlight Audition

By Jeff Daniels
Directed by Connie Mockenhaupt

When: Monday, December 19 at 7:00pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

Casting for two roles, Reuben & Remnar who are brothers, deer hunters with a woodsy look to
them. Should look 30 to 50 years old. This is a fast-paced comedy and the ability to do physical
comedy is a plus.

Rehersals: December 27 – January 19 on Mondays through Thursdays in the evenings
Performances: January 21 – February 19 on Fridays and Saturdays at 7:30pm and Sundays at
4:30pm

What to bring: A resume and head shot if you have them. Auditions will be cold readings
from the script

Synopsis: When the Soady clan reunites for the opening day of deer season at the
family’s Upper Peninsula camp, thirty-five-year-old Reuben Soady brings with him the
infamous reputation of being the oldest Soady in the history of the Soadys never to bag
a buck. In a hunting story to beat all hunting stories, Escanaba in da Moonlight spins a
hilarious tale of humor, horror and heart as Reuben goes to any and all lengths to
remove himself from the wrong end of the family record book.

Shrek The Musical Jr.

November 4th – November 26th
Saturdays & Sundays at 1:00 PM

Music by Jeanine Tesori
Book and Lyrics by David Lindsay-Abaire

Directed by Mark Cornfield
Music Direction by 
Connie Mockenhaupt
Choreography by Dian Hoel

Workshop age: 12-18yrs

Rated: G

“Once upon a time, there was a little ogre named Shrek….” And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude and over a dozen other fairy tale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand… and his name is Shrek.

Click Here to Purchase Tickets

Cinderella

September 2nd – September 23rd
Saturdays & Sundays at 1:00 PM

Adapted & Directed by Laura Luke

Rated: G

Cinderella, the world’s most famous fairy tale, comes to Sutter Street. Her life is not easy living with her Stepmother and Stepsisters. Cinderella’s life is about to change and it all starts with a wish and her Fairy Godmother. This tale will touch your heart and make you laugh. Come see if a little magic can bring Cinderella and the Prince together and make dreams come true!

 

Click Here to Purchase Tickets

Frozen Jr.

August 5 – August 27
Saturdays and Sundays at 1:00 PM

Rated: G

Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez
Book by Jennifer Lee

Disney’s Frozen JR. is based on the 2018 Broadway musical, and brings Elsa, Anna, and the magical land of Arendelle to life, onstage. The show features all of the memorable songs from the animated film, with music and lyrics by Kristen Anderson-Lopez and Robert Lopez, plus five new songs written for the Broadway production.

A story of true love and acceptance between sisters, Frozen JR. expands upon the emotional relationship and journey between Princesses Anna and Elsa. When faced with danger, the two discover their hidden potential and the powerful bond of sisterhood.

 

Click Here to Purchase Tickets

Seussical Kids

July 1 – July 23
Saturdays and Sundays at 1:00 PM

Rated: G

Book by Lynn Ahrens and Stephen Flaherty
Music by Stephen Flaherty
Lyrics by Lynn Ahrens

Directed & Choreographed by Sarah Williams
Vocal Direction by Hannah Hurst

Transporting audiences from the Jungle of Nool to the Circus McGurkus, the Cat in the Hat, our narrator, tells the story of Horton, an elephant who discovers a speck of dust containing tiny people called the Whos, including Jojo, a Who child, who gets in trouble for thinking too many “thinks.” Horton’s challenge is twofold — not only must he protect the Whos from a world of naysayers and dangers, but he must also guard an abandoned egg that’s been left in his care by the irresponsible Mayzie La Bird. Although Horton faces ridicule, danger, kidnapping and a trial, the intrepid Gertrude McFuzz never loses faith in him. 

 

Click Here to Purchase Tickets

You’re a Good Man Charlie Brown

June 3 – June 25
Saturdays and Sundays at 1:00 PM

Rated: G

Book, Music and Lyrics by Clark Gesner
Additional Dialogue by Michael Mayer
Additional Music and Lyrics by Andrew Lippa

Directed by Brayden Plumb
Vocal Direction by Hannah Hurst
Choreography by Sarah Williams

With charm, wit, and heart, You’re A Good Man, Charlie Brown explores life through the eyes of Charlie Brown and his friends in the Peanuts gang. This revue of songs and vignettes, based on the beloved Charles Schulz comic strip, Musical numbers include “My Blanket and Me,” “The Kite,” “The Baseball Game,” “Little Known Facts,” “Suppertime,” and “Happiness.” Guaranteed to please audiences of all ages!

 

Click Here to Purchase Tickets

Snow White and the Seven Dwarfs

April 22- May 21
Saturdays and Sundays at 1:00 PM

Rated: G

Written by Carol Weiss

This family musical contains a zany, wisecracking Mirror who will only answer if spoken to in rhyme, as well as a whole court full of funny and bubbling characters. It hums with 14 lively songs, including a scary forest ballet. Snow White runs away from the evil Queen and seeks refuge with seven little miners. But the Queen and her sister, a once-powerful witch, need “a locket from the pocket of a princess that is pure.” 

 

Click Here to Purchase Tickets

Alice in Wonderland

January 28 – February 26
Saturdays and Sundays at 1:00 PM

Rated: G

Written by Kathryn Shultz Miller

Welcome to Wonderland where everything is curiouser and curiouser! Follow Alice down the rabbit hole in this exciting adventure full of strange and fantastic characters. As Alice makes her way through the Tulgey Wood, she quickly meets characters such as the White Rabbit and Queen of Hearts. So don’t be late! Come join Alice and her friends for a short, fun-filled, journey through Wonderland.  

 

Click Here to Purchase Tickets

The Addams Family – A New Musical Comedy

July 8 – August 18
Fridays & Saturdays at 7:30 PM
Sunday at 4:30 PM

Book by Marshall Brickman and Rick Elice
Music and Lyrics by Andrew Lippa

Rated PG

THE ADDAMS FAMILY, a comical feast that embraces the wackiness in every family, features an original story and it’s every father’s nightmare: Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family– a man her parents have never met. And if that wasn’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before– keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.