WHEN: Sunday, November 10th at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630
CALLBACKS: Monday, November 11th at 7 PM (Invitation only)
TABLE READ: Sunday, November 17th at 7 PM

REHEARSAL SCHEDULE:
December 2nd-19th, 2024 (no rehearsal on Thursday, Dec 5th)
January 6th-January 16th, 2025
Monday-Thursdays 6:30-9:30 PM

TECH WEEK: January 13th-January 16th, 6:00-9:00 PM

PERFORMANCE DATES: January 17th – February 16th, 2025
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM

Book by Ken Ludwig
Directed by Anthony DePage & Dena Jimena

Rated: PG

SYNOPSIS: It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. It is then up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger and hilarity are non-stop in this glittering whodunit set during the Christmas holidays!

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Auditions will consist of cold readings from the script.

CHARACTERS:

MADGE GIESEL (Female, Playing age early 40s): Wry and outspoken (think Rosalind Russell), Madge, like her husband Felix, is a lifelong theatrical. Is game for anything, but back her into a corner and she will come out swinging. Must have great comic chops.
Side 3 (Daria, Gillette, Felix, Madge)
Side 6 (Felix, Madge)

SIMON BRIGHT (Male, Playing age mid 20s): The handsome young man of the company, Simon is enthusiastic, eager to please and find success. Simon can occasionally be overly sensitive. Recently married to Aggie, they make a charming and wonderful couple.
Side 1 (Aggie, Martha, Simon)
Side 7 (Aggie, Simon)

DARIA CHASE (Female, Playing age 30s-40s): Glamorous and gorgeous, Daria is the theatre critic we all love to hate. Biting, snippy, and utterly charming, you can’t help but like Daria, despite the terrible things she says and writes. A wonderful sense of humor goes a long way towards endearing Daria to the audience. The actress must have wonderful comic timing and be a skilled physical comedian.
Side 3 (Daria, Gillette, Felix, Madge)
Side 4 (Daria)

INSPECTOR GORING (Female, Playing age 30s-50s): English and eccentric, completely one of a kind. By turns, witty and incisive, suddenly lost and dim, she is disarming in her inability to be defined. Always off the mark, and yet never far from the truth, somehow she always gets her man. Wonderful opportunity for a character actress; must have great comic chops.
Side 5 (Inspector, Gillette)

AGGIE WHEELER (Female, Playing age mid 20s): Bright-eyed and bushy-tailed, Aggie is the ingénue of the company. Good-natured and kind, Aggie has had tragedy in her past, though she seems to have dealt with it well, and even moved on. Recently married to Simon, they make a charming and wonderful couple. Actress needs to have a dark side.
Side 1 (Aggie, Martha, Simon)
Side 2 (Gillette, Aggie)
Side 7 (Aggie, Simon)

MARTHA GILLETTE (Female, Playing age mid 70s): Gillette’s dotty mother, elegant though a bit foggy, somewhat vague and dithering Martha never shies away from a fight. Always willing to lob a criticism when necessary, all the same, Martha is loyal to Gillette and his gang of theatrical misfits. Must have great comic chops.
Side 1 (Aggie, Martha, Simon)

WILLIAM GILLETTE (Male, Playing age mid 40s-mid 50s): Strikingly handsome man, good humored, full of irony and life. A dynamic and charming stage actor (based on a real man). Has made a fortune from his stage adaptation of Sherlock Holmes, whom he also plays. Recently shot in the arm in a bizarre incident, Gillette is determined to bring his Sherlockian skills to bear on solving the case. Must have great comic chops.
Side 2 (Gillette, Aggie)
Side 3 (Daria, Gillette, Felix, Madge)
Side 5 (Inspector, Gillette)

FELIX GEISEL (Male, Playing age early 40s): The company’s character actor, Felix is histrionic and arch. A true theatrical that has given his life to the stage, Felix is Gillette’s best friend and occasional sidekick. Married to Madge. Actor must have great comic chops and be physically strong.
Side 3 (Daria, Gillette, Felix, Madge)
Side 6 (Felix, Madge)

WHEN: Sunday, December 1st at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: December 9th-11th, 16th-18th, January 6th-January 23rd, Monday-Thursdays 6:30-9:30 PM

TECH WEEK: January 20th-January 23rd, 6:00-9:00 PM

PERFORMANCE DATES: January 25th – February 23rd, 2025
Saturdays and Sundays at 1:00 PM

Adapted by Laura Luke
from the German fairy tale collected by the Brothers Grimm in the 1812 edition of Children’s and Household Tales
Directed by Christine Lovette

Rated: G

SYNOPSIS: Join us for the magical tale of Rumpelstiltskin. The kingdom is almost out of gold after the reckless King and Queen spend the kingdom’s money on frivolous things. The Prince is trying to be the voice of reason. Hoping to get their spending under control. Rumplestiltskin has been banished from the castle for years, after he tried to become more powerful than the Royal family. He begs his mother Circe, a witch, to give him magic. He sees a way to become more powerful by taking advantage of the situation. After Malcolm the Miller brags to his friend that his daughter, Sabrina, can spin straw into gold the King and Queen hear about it and think this will save the Kingdom. Soon everyone learns the importance of a name.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script.

CHARACTERS:

RUMPLESTILTSKIN (Male, playing age 18-30): A Wizard Elf. A bit of a trickster who messes with everyone. Must be a good character actor.

CIRCE THE WITCH (Female, playing age 40+): Mother of Rumplestiltskin. She likes to tease and be playful.

SABRINA THE MILLER’S DAUGHTER (Female, playing age 20s-30s): Beautiful, smart, loving, and caring.

MALCOM THE MILLER (Male, playing age 50+): A good man with a sense of humor who loves his daughter and mourns the loss of his wife. Tends to tell stories and brags a bit.

DARLENE THE DRESSMAKER (Female, playing age 40+): A widow who is close in age to Malcom and has a young son.

DOUGLAS (Male, playing age 10-14): Darlene’s fun-loving son.

DELL (Male, playing age 18+): Malcom’s good friend. A farmer who grows corn and keeps an apple orchard. He is gullible and a bit of a gossip.

PRINCE ERIC (Male, playing age 20s-30s): A very good man. Sweet, noble and smart.

KING JARRICK (Male, playing age 50+): Wants his son to be happy and does not worry about anything. Carefree and fun.

SERVANT (Any, any age): Playful and friendly. May be played by Circe.

The roles of QUEEN REGINA and GUARD have been precast.

WHEN: Sunday, January 5th at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630
CALLBACKS: Friday, January 10th at 7 PM (Invitation only)

REHEARSAL SCHEDULE:
January 20th-February 20th, 2025
Monday-Thursdays 6:30-9:30 PM

TECH WEEK: February 17th-February 20th, 6:00-9:00 PM

PERFORMANCE DATES: February 21st-March 16th, 2025
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM

Book by Thornton Wilder
Directed by Allen Schmeltz

Rated: PG

SYNOPSIS: The story follows the small town of Grover’s Corners through three acts: “Daily Life,” “Love and Marriage,” and “Death and Eternity.” The play is narrated by the omniscient Stage Manager and performed on a bare stage with minimal set pieces and mimed props. The audience follows the children of the Webb and Gibbs families through falling in love, marriage and eventually – in one of the most famous scenes in American theatre – to the graveyard. This Pulitzer Prize winning play is a timeless favorite of audiences and actors alike.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
  There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script. The script may be purchased from Concord Theatricals if you wish to look at it in advance.

CHARACTERS:

Actors should look the ages indicated, however ages may be flexible. If you look close to the ages indicated. come and audition! Note: All parts are listed but several of the actors may play multiple roles.

The role of STAGE MANAGER has been precast.

DOC GIBBS (Male, playing age 40s to 50s)

MRS. GIBBS (Female, playing age 30s to 40s)

REBECCA GIBBS (young girl, playing age 10-12)

GEORGE GIBBS (Male, playing age 17 and ultimately ages to late 20s)

EDITOR WEBB (Male, playing age 40s to 50s)

MRS. WEBB (Female, playing age 30s to 50s)

EMILY WEBB (Female, playing age 17 and ultimately ages to late 20s)

WALLY WEBB (Male, playing early teen)

SIMON STIMSON (Male, playing age 30s to 50s)

MRS. SOAMAS (Female, playing age 30s to 50s)

HOWIE NEWSOM (Male, playing age 30s)

PROFESSOR WILLARD (Male, playing age 50s to 60s plus)

CONSTABLE WARREN (Male, playing age 40s to 60s)

MAN IN AUDIENCE (Adult Male, any age)

JOE STODDARD (Male, playing age 50s to 60s plus)

JOE CROWELL (young boy, playing age 10-12)

SI CROWELL (young boy, playing age 10-12)

FARMER MCCARTY (Male, playing age 40s to 60s plus)

BASEBALL BOYS (3) (Male, playing age teens)

SAM CRAIG (Male, playing age 30s)

LADY IN AUDIENCE (Adult Female, any age)

WOMAN AMONG THE DEAD (Adult Female, any age)

MAN AMONG THE DEAD (Adult Male, any age)

MISC. ADULT MEN & WOMEN FOR GRAVEYARD SCENE

WHEN: Sunday, October 27th at 4 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: November 11th-December 12th, Monday-Thursday, 6:00-9:00 PM

TECH WEEK: December 9th-December 12th, 6PM-9 PM

PERFORMANCE DATES: December 13th – December 29th
Saturdays and Sundays at 1:00 PM
December 13, 18, 19, 20 and 27 at 4:00 PM

Book by Laurie Brooks
Based on the Little House book series by Laura Ingalls Wilder 
Directed by Joaquin Calderon

Rated: G

SYNOPSIS: In their poorest winter ever, when the crops have been devastated by locusts and the family must deal with the death of baby Freddie, Charles Ingalls backtracks his family to Burr Oak, Iowa, to take over the running of a hotel. And if things weren’t bad enough, Ma tells Laura she must be nice to Johnny Steadman, “the worst boy in Iowa.” When wealthy Mrs. Starr asks for Laura as a companion to read to her in the afternoons, Laura is overjoyed to be invited into such a fine house, but when she overhears Mrs. Starr offer to adopt Laura as her own daughter to ease the burden of so many children, Laura is certain that Ma and Pa will give her up. As Christmas morning approaches, Laura is faced with a decision: Will she choose what she believes is best for the family or will she find a way to stay with Pa, Ma, Mary and Carrie? This original play presents the poignant story of the “missing” two years in the life of the Ingalls family—the only substantial period that Laura chose not to write about in her Little House books. Told with period songs, humor and depth of character, A Laura Ingalls Wilder Christmas tells a story of healing that celebrates the importance of enduring family bonds.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*
● 16-32 bars of a Christmas song, sung acapella (no accompaniment).

Audition will consist of cold readings from the script as well as some improvisation games. Actors of ALL ages are encouraged to audition!

CHARACTERS:

Pa Ingalls (Male, playing 25+): The patriarch of the family, he is the timber, the structure of the Ingalls family. Intrepid and a good role model, he represents stability and does his best to provide and keep up the Christmas spirit in the harshest of winters.

Ma Ingalls (Female, playing 25+): The matriarch of the family, she is the glue and the nails of the family structure, doing her best to keep the family together. This Christmas however, her tenacity and kindheartedness is tested by the death of her youngest son.

Laura Ingalls: (Female, playing 10-12): The middle of three sisters, Laura’s trusting nature and optimism often gets her through the worst of situations, but it can also lead to mischief. She is also very imaginative and spontaneous, with the play revolving around her perspective of events.

Mary Ingalls (Female, playing 10-15): The eldest of the three sisters, Mary is often charged with being the responsible one, much to her chagrin. She takes her role diligently and tries to set a good example for her sisters.

Carrie Ingalls (Female, playing 7-10): The youngest of the three sisters, Carrie is highly opinionated and has no filter. If there’s an elephant in the room, she would be the one to point it out.

Johnny Steadman (Male, playing 10-15): A neighbor to the Ingalls family, Johnny often likes to tease, play practical joke and pranks on the Ingalls sisters, particularly Laura. He puts up a tough kid act to make up for the gimp in his leg.

Mrs. Starr (Female, playing 35+): The wealthiest woman in town, she suffers from an empty nest and seeks some Christmas cheer. She befriends the Ingalls family and likes Laura so much that she wants to adopt her.

WHEN: Sunday, October 20th at 4 PM
***For those who cannot make the Oct 20th Audition, there will be make-up auditions on Tuesday, October 22nd at 7pm.***
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: November 4th-December 5th, 6:30-9:30PM
(Not everyone will be called for every rehearsal.)

TECH WEEK: December 2nd-December 5th, 6PM-10PM

PERFORMANCE DATES: December 6th – December 23rd
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM
PLUS additional performances on December 18th, 19th & 23rd at 7:00 PM, and a free performance on December 1st at the annual Historic District Tree Lighting Ceremony!

Created & Directed by Connie Mockenhaupt & Mike Jimena

Rated: G

SYNOPSIS: Holiday In The Hills is Sutter Street Theatre’s love letter to the Holiday Season; It takes place in the late 1800’s (give or take a year or two) right here on Sutter Street where the residents of the town and surrounding areas have gotten together for a party to celebrate the season. A lot of research went into the people and places that preceded us in the late 1800’s, and everyone you see onstage was an actual resident or visitor to Folsom at that time of year. Seeing a performance of Holiday In The Hills will put you and your family in the holiday spirit or we’ll give your money back, guaranteed.

WHAT TO BRING:
● 18-34 bars of a song (seasonal or otherwise) with a backing tracks on your phone. There will be no accompanist. No sheet music and no A Capella auditions please.
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

Actors of ALL ages are encouraged to audition.

WHEN: Sunday, August 18th at 7:00 PM
CALLBACKS: Tuesday, August 20th at 7:00 PM (Invitation Only)
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: August 26th – October 3rd
Sundays 6-9:30 PM, Tuesday/Wednesday/Thursdays 6-9:30 PM
Some Saturday mornings and/or afternoons for choreography/music. Will be determined after the show is cast in accordance with actor availability.
TECH WEEK: September 30th – October 3rd, 6-10 PM

PERFORMANCE DATES: October 5th – November 3rd
Saturdays & Sundays at 1 PM

Book by John Maclay
Music & Lyrics by Danny Abosch & John Maclay
Based on the books by R.L. Stine

Directed by Heather Chapin & Lindy Mallonee
Vocal Direction by Hannah Hurst
Choreography by Devin LePage & Thomas LePage

Rated: PG

SYNOPSIS: Best friends Brooke and Zeke could not be more excited to tackle the next big Drama Club production – this year they know that they are going to be the leads.  But when strange, seemingly supernatural events begin interrupting rehearsals, the friends begin to wonder whether the show they’re acting in might be cursed. And what’s up with the creepy script the theatre director has chosen-never performed because of mysterious mayhem plaguing its rehearsals? And what about that strange trap door that leads to tunnels below the stage, let alone the strange voices that echo in the theater? Join the fright-filled fun-just in time for Halloween! -as the cast of “The Phantom of the Auditorium” tries to survive until Opening Night in this mystifying tale of musical mayhem, based on the classic series by R.L. Stine!

WHAT TO BRING:
● 16 – 32 bar cut of a song of your choice (about a minute to a minute and a half long max). Feel free to sing something from Goosebumps the Musical for the character you are auditioning for or something similar, showcasing your voice to the best of its ability. Please bring an accompaniment on your phone. An accompanist will not be provided.
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

Come prepared to work and learn and put on a great show to be proud of!

CHARACTER BREAKDOWN
Actors age 13-Adult are welcome to audition.

Zeke Matthews (Lead Male, Tenor/2nd Baritone, playing high school age): Best friend of Brooke, the two sharing a mutual love of all things horror. Outgoing, bold and stands up well next to Brooke. Must have a good singing voice and strong acting skills.

Brooke Rodgers (Lead Female, Soprano, playing high school age): Brooke has been cast as the lead character Esmerelda in The Phantom. When strange things begin to happen, Brooke is determined to find the truth about the play’s rumored curse. Character is bold and determined. Must have a strong singing voice and acting skills. Comedic flair is a plus! 

Ms. Walker (Supporting Female, Mezzo-Alto, playing 30s-50s): The Drama Club teacher. Must have a strong singing voice and confident acting/stage presence. 

Brian Colson/The Phantom (Supporting Male, Tenor/2nd Baritone, playing high school age): Shy and sweet. Falls for Brooke and is friends with Brooke and Zeke. Must be a good singer with strong acting skills. 

Tina Powell (Supporting Female, Mezzo, playing high school age): Full of herself, better than everyone else. Needs to always have the lead. Strong singing voice and good acting skills. 

Emile (Supporting Male, Baritone, playing age 20+): School janitor. Must be a strong singer and actor. 

Anna (Female Ensemble, playing high school age): Ensemble with lines and some singing. 

Cami (Female Ensemble, playing high school age): Ensemble with lines and some singing.

Corey/Esmerelda’s Father (Male Ensemble, playing high school age): Ensemble with lines and some singing. 

Steve (Male Ensemble, playing high school age): Ensemble with lines and some singing.

WHEN: Sunday, August 11th at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: August 19th – September 20th
Monday through Thursday from 6:30 PM to 9:30 PM
TECH WEEK: September 16th – September 20th, 6:00 PM to 10:00 PM

PERFORMANCE DATES: September 27th – November 3rd
Fridays & Saturdays at 7:30 PM
Sundays at 7:00 PM
PLUS a special performance on Halloween! Thursday, October 31st at 7:00 PM.

Book & Lyrics by George Reinblatt
Music by Frank Cipolla, Christopher Bond, Melissa Morris and George Reinblatt

Music Direction & Choreography by Connie Mockenhaupt
Directed by Mike Jimena

Rated: PG13 – R, Recommended for mature audiences. Parental guidance strongly advised.

SYNOPSIS: “It’s an old tale. You’ve probably heard it a hundred times. Boy and his friends go on a week-long vacation in the woods. Three friends turn into Candarian demons. One friend is killed by a forest of evil trees. Two demons are killed by their boyfriends, respectively, while one stays in the cellar trying to kill everything in sight. Like I said… pretty standard stuff.”
Evil Dead: The Musical takes all the elements of the cult classic films, The Evil Dead, Evil Dead 2, and Army of Darkness and combines them for one of the craziest, funniest, and bloodiest theatrical experiences of all time. Did we mention the blood?!

Five college students go to an abandoned cabin in the woods, and accidentally unleash an evil force that turns them all into demons. It’s all up to Ash (a houseware-aisle employee turned demon-killing hero), and his trusty chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes… and all to music.

You don’t need to be a fan of Evil Dead to love this show. You don’t need to be a fan of horror to love this show. You don’t even need to be a fan of musicals to love this show. As long as you like having fun… this show is for you.  Plus it’s the only show with a ‘Splatter Zone’ – a section of the audience that gets covered in fake blood.  And with this combination of blood, jokes, cheesy effects, and really awesome musical numbers, Evil Dead The Musical is unlike any show you’ve ever seen.  JOIN US!!!!!

**DISCLAIMERS**

This show has a LOT of fake blood. The actors must be open to/comfortable with contact with fake blood and handling fake blood props responsibly.

Actors must be 18+ to audition.

WHAT TO BRING:
● 16 – 32 bar cut of a song of your choice. Feel free to sing something from a musical or a rock song showcasing your voice to the best of its ability. Please bring an accompaniment on your phone. An accompanist will not be provided.
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

CHARACTER BREAKDOWN:
Ash (Male, Tenor/Baritone): The hero and iconic character of the musical. This devoted S-Mart housewares employee evolves over the course of the show from a cowardly college student to a wisecracking Deadite slayer with his detachable hand chainsaw and 12 gauge “boomstick.”

Linda (Female, Mezzo-Soprano): The girl next door. Linda is sweet, thoughtful, and completely devoted to Ash, until she turns evil and tries to kill him. She laughs an annoyingly inordinate amount of time after transforming.

Cheryl (Female, Mezzo-Soprano): Ash’s sister and the odd woman out in the group. Looking to spend a week relaxing, she is the recipient of Scotty’s jokes and torment. The only one to sense the evil surrounding the cabin, she is the first to be possessed, turning her into an aggressive, foul-mouthed demon that speaks in very bad puns. Spends the majority of the show locked in the cellar.

Scotty (Male, Tenor/Baritone): Good looking, cocky, a prankster and Ash’s best friend. Thinks himself the brave one until he’s forced to kill, then his panic leads him to flee. He returns to warn Ash about the woods and attempts to help his friend even as he is knocking on death’s door.

Shelly (Female, Mezzo-Soprano): Beautiful, easy, and not too smart. She is Scotty’s latest fling and looking to party. Just because she becomes an evil demon doesn’t mean she can’t look good doing it!

Annie (Female, Mezzo-Soprano): Quite the overbearing explorer who finds missing pages to the Necronomicon and wants to reunite with her father to continue their research. Very bossy and drawn to Ash. Must be comfortable in a tear away semi-revealing costume.

Ed (Male, Tenor/Baritone): Annie’s coworker, boyfriend, and doormat. He travels with her to the cabin to proceed with their research of the book of the dead. After turning evil, his confidence may lack but this “Bit Part Demon” is ready to sing!

Jake (Male, Tenor/Baritone): Lonely stranger with a meatloaf voice.

Ensemble Roles:
Evil Trees/Deadites/Chorus: These are the true comedians of the show. A nasty group of trees out to get the campers and will stop at nothing and the evil Deadites! Will sing and dance.

Moose: A possessed, singing, Candarian Demon moose head! That enough makes it awesome, except once moose get going they never stop! Puppetry and singing.

When: Sunday, June 30th at 7pm OR Monday, July 1st at 7pm (auditioners only need to come to one audition date).
Callbacks: Tuesday, July 2nd, time tbd. Callbacks are invitation only.
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

***If you are unable to attend either audition days, you may submit an audition video via email to the Director for consideration. Your video should include your name, what role you are interested in, if any what you will be singing, and your prepared 16-32 bar cut of a musical theatre song. Your email should include your contact info and your resume and headshot (if you have them) as well as any conflicts you may have for rehearsal/performance dates. Video submissions should be sent to kennygagni@yahoo.com no later than the evening of Sunday, June 30th.***

What to prepare: If you are auditioning for a singing role, prepare 18-32 bars of a musical theatre song that best demonstrates your abilities with an accompaniment on a phone/CD. No sheet music and no a capella auditions please. Those auditioning for non-singing roles do not need to prepare an audition song.

What to bring: A headshot and theatrical resume if you have them and a list of any potential conflicts with rehearsal/show dates. Conflicts with show dates will not be cast.

Rehearsal Schedule: July 8th-August 15th, 2024
Monday-Thursday evenings, 6:30pm-9:30pm
Tech Week: 6:00pm-10:00pm

Performance Schedule: August 16th-September 15th, 2024
Fridays & Saturdays at 7:30pm
Sundays at 4:30pm

Book by Mel Brooks & Thomas Meehan
Music & Lyrics by Mel Brooks

Directed by Kenny Brian Gagni
Music Direction by Connie Mockenhaupt
Choreography by Devin LePage

Rated: PG-13

Synopsis: A down-on-his-luck Broadway producer and his mild-mannered accountant come up with a scheme to produce the most notorious flop in history, thereby bilking their backers (all “little old ladies”) out of millions of dollars. Only one thing goes awry: the show is a smash hit! At the core of the insanely funny adventure is a poignant emotional journey of two very different men who become friends. With a truly hysterical book co-written by Mel Brooks and Thomas Meehan (Annie) and music and lyrics by Mr. Brooks, The Producers skewers Broadway traditions and takes no prisoners as it proudly proclaims itself an “equal opportunity offender!”

Roles:
There are singing and non-sing roles in The Producers. All roles are available.

MAX BIALYSTOCK: (playing age 50s). A failed Broadway producer. Good singer with excellent physical and verbal comedy skills. Ruthless, unprincipled and quick witted with verbal banter. He will stop at absolutely nothing to succeed. A likeable rogue who despite his egotistical persona and indefensible antics has the audience secretly rooting for him. Singing required.

LEO BLOOM: (playing age 20s). A meek-mannered accountant. Good singer with excellent physical and verbal comedy skills. Movement/dance ability advantageous (including tap). Leo is neurotic, unassertive and utterly lovable. He discovers his inner confidence, follows his dream of becoming a Producer, and ‘gets the girl’ by running off to Rio with the leading lady. Singing required.

FRANZ LIEBKIND: (playing age 20s) A wild-eyed German immigrant and Nazi fanatic. Excellent comedy skills with ability to sing. A strong physical presence, he is hot-tempered, intensely obsessive Nazi supporter (with a soft spot for his pet pigeons). More than slightly nuts, he eventually looses the plot and attempts to shoot our main characters in a comic fit of rage. Singing required.

ROGER DE BRIS: (playing age 30s) A cross-dressing renowned (in his own eyes) Broadway director. Excellent comedy skills and good singing and dance ability. Tap skills advantageous. Beneath a (somewhat) convincing straight-acting persona lies a full-blown Judy Garland waiting to burst out. When opportunity gives him the leading role in ‘Springtime For Hitler’ he becomes a ‘gay as a daisy’, all singing all dancing showbiz Hitler. Singing required.

CARMEN GHIA: (playing age 20s) Roger’s possessive live-in lover. Excellent comedy skills and good singer. Thin, ‘strange looking’ and intense queen. He overreacts to every eventuality and is mortally wounded by any of Roger’s thoughtless remarks. Comically sibilant beyond all measure. Singing required.

ULLA: (playing age 20s) The knock-out Swedish secretary. Excellent comedienne with great song and dance skills. Gorgeous, young, blond and leggy. Enthusiastic, innocent and adorable but with a very loose grasp of the English language she is generally utterly inept in her work. Singing required.

ENSEMBLE: (ages 16+ preferred) A strong ensemble is needed who can sing, act, and dance and who posses excellent comedic timing. Small feature roles and solos will be assigned to ensemble members once casting is finalized. The following roles will be cast from the ensemble:

MR. MARKS: Short-tempered, cigar chomping, little tyrant of an office manager.

Roger’s creative team: (SCOTT) choreographer, BRYAN (set designer), KEVIN (costume designer) all as camp as Christmas apart from SHIRLEY MARKOWITZ (the lesbian lighting designer) who out-butches them all.

LITTLE OLD LADIES: ‘Hold-me-touch-me” “Lick-me-bite-me” etc. They’re little old ladies. They’re sex crazed. What else can you say

Auditionees: JASON (mousy singer from “No No Nietzsche”), DONALD (“Little Wooden Boy”), JACK (a G&S devotee)

USHERETTES

STORM TROOPER (tenor soloist in “Springtime for Hitler”)

Police (all with thick New York Irish accents): SERGENT; O’ROURKE; O’RILEY; O’HOULLIHAN

JUDGE

PRISON TRUSTEE

When: Sunday, April 14th, 2024 at 7pm
***If you were unable to make the April 14th audition date, make-up auditions will be held at Callbacks on Sunday, April 21st at 7:30pm.***
Callbacks: Sunday, April 21st, 2024 at 7:30pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

The audition will consist of cold readings from the script. This is a non-musical. Auditions will not be done in accents unless you would like to try them. Accent decisions will be made after the show is cast.

What to bring: A headshot and theatrical resume if you have them and a list of any potential conflicts with rehearsal/show dates. Actors with performance date conflicts cannot be cast.

Rehearsal Schedule: April 22nd-May 23rd, 2024
Monday-Thursday evenings, 6:30pm-9:30pm
Tech Week: 6:00pm-10:00pm

Performance Schedule: May 24th-June 23rd, 2024
Fridays & Saturdays at 7:30pm
Sundays at 4:30pm

Book by John Bishop
Directed by Connie Mockenhaupt & Mike Jimena

Synopsis: The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious “Stage Door Slasher”) assemble for a backer’s audition of their new show at the Westchester estate of a wealthy “angel.” The house is replete with sliding panels, secret passageways, and a German maid who is apparently four different people—all of which figure diabolically in the comic mayhem which follows when the infamous “Slasher” makes his reappearance and strikes again—and again. As the composer, lyricist, actors, and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions!

Roles:
Helsa Wenzel – Helsa is the maid of the Grossenknueten estate. She is killed in the first scene of the play, only to be impersonated by her homicidal twin brother, Dieter. The actress who plays Helsa also appears at the end of the play as “Katrina, the cook from Koblenz.”

Elsa Von Grossenknueten – Elsa is the eccentric owner of the mansion and is the financial backer of many musicals. Elsa summons the group together in an attempt to find out who murdered her “friend” Bebe McAllister. She is extremely eccentric, and thinks that the idea of chasing after a killer is great fun. Her grandfather was a spy, and she claims that espionage runs in her blood.

Michael Kelly – Kelly is an undercover cop. Elsa appeals to him to help solve the mystery of the Stage Door Slasher, and Kelly at first pretends to be her butler. Kelly’s tough, no-nonsense attitude puts him at odds with Elsa and the dramatic types that visit. He eventually reveals his identity as a New York police officer, much to Elsa’s dismay.

Patrick O’Reilly – O’Reilly claims to be an Irish tenor, but he is very suspicious, especially in regards to the mysterious Helsa. The two engage in a physical brawl. Eventually, O’Reilly claims to be “Tony Garibaldi”, an undercover cop with a Bronx accent-only to reveal himself as a Gestapo Agent named Klaus Stansdorff, sent to find German defectors. Nikki confronts him, but before he can reveal the truth, Helsa stabs him through a copy of Moby-Dick in the second act.

Ken De La Maize – Ken is a “typical” director, speaking of theater as a “pure art.” He also has an annoying habit of name-dropping, constantly citing the various celebrities he has worked with over the years. Everyone always claims to have seen the films he makes, only for him to reveal that they have not yet been released. Ken is eventually revealed as the Stage Door Slasher, and explains that his hatred of ballet dancers stems from his father, who ran off with one and abandoned his mother. He attempts to kill Nikki, along with Elsa, Roger and Bernice. Eddie ends up thwarting him, and he is taken away to prison, rambling about how he knows Louella Parsons.

Nikki Crandall – Nikki is considered a typical chorus girl-but she is eventually revealed to be Ensign Nicole Crandall, of United States Naval Intelligence. Her secret mission was to find the Germans who were sent over to sabotage the American war efforts. She is also interested in solving the mystery of the Stage Door Slasher, and helps to break the code in Bebe’s notebook. Ken almost kills her, followed quickly by Dieter Wenzel. Eddie saves her twice, prompting the two to fall in love at the end.

Eddie McCuen – Directly based on Bob Hope, Eddie is the out of work comedian that ties the different story lines together, and goes from being cowardly at the beginning of the play to heroic at the end. He is attracted to Nikki, but fumbles when he tries to talk to her. He was a replacement for an actor, and thus has no connection to Manhattan Holiday. He is the one who realizes the connection between the Slasher case and the party, and later helps to defeat Ken and Dieter, both by knocking them out with a cognac bottle. These brave actions unite him with Nikki. He has an obvious attraction to Nikki throughout the whole play, and ultimately ends up saving the day and getting the girl.

Marjorie Baverstock – Marjorie is a Broadway producer. She constantly flatters everyone around her, and speaks in elevated language; her “new word” is “divoon.” She is accidentally killed by Dieter at the end of the first act; strangely, no one seems to notice, despite the fact that there is an enormous sword through her back. Eddie, Ken and Kelly bury her dead body in a snowdrift in the beginning of the second act.

Roger Hopewell – Roger is the composer for “White House Merry-Go-Round”, and Bernice’s partner; the two have had a string of Broadway hits. Roger enjoys teasing Ken about his artistic ways, and makes snide remarks throughout the play, but flares up whenever someone insults his musical style. He also knows how to deal with Bernice’s many quirks. Towards the end of the play, Roger reveals a surprising knowledge of ciphers, and helps Nikki and Bernice break the code in Bebe’s notebook.

Bernice Roth – The perpetually thirsty lyricist, she is Roger’s partner. Bernice is very odd and emotional, frequently losing her composure and screaming. When Marjorie fails to respond to the second act opening number of “White House Merry-Go-Round”, Bernice is hugely offended, despite the fact that Marjorie was dead at the time. She spends the entire second act attempting to “fix” the play, even when she is held hostage by Ken, O’Reilly, and Dieter. In the finale, she is struck with inspiration toward a new work that takes place in the heartland of America – a cowboy play called Nebraska. This is a spoof on the play Oklahoma!.

When: Sunday, July 7th, 2024 at 7pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

The audition will consist of cold readings from the script. This is a non-musical. Auditions will not be done in accents unless you would like to try them. The show may use accents particularly Martha’s and Dickon’s roles with a Yorkshire/Cockney accent. That will be decided after the show is cast.

What to bring: A headshot and theatrical resume if you have them and a list of any potential conflicts with rehearsal/show dates. Conflicts with show dates will not be cast.

Rehearsal Schedule: July 15th-August 8th, 2024
Sunday-Thursday evenings, 6:30pm-9:00pm
Tech Week: 6:00pm-10:00pm

Performance Schedule: August 10th-September 8th, 2024
Saturdays & Sundays at 1pm

Adapted by Jerry Montoya
Based on the novel by Frances Hodgson Burnett
Directed by Allen Schmeltz

Synopsis: After Mary Lennox is orphaned, she becomes the ward of an uncle in England she has never met. As she adjusts to her new life at secluded Misselthwaite Manor, Mary discovers a secret garden. If she can uncover the mysterious circumstances behind the garden, she might be able to save her sickly young cousin and melt the heart of her emotionally distant uncle. A touching coming-of-age story, based on the classic novel.

Roles:
All roles are available.

Mary Lennox – Female, age 9-13 (plays 10-year-old).

Mrs. Medlock – Female, age 50+, head of servants at Misselthwaite Manor.

Station Master/Dr. Neville Craven – Male, age 30s-50s, Archibald’s brother.

Ben Weatherstaff – Male, age 50-100, he is the gardener at the Manor.

Martha – Female, age mid to late teen, Dickon’s sister, a servant at the manor who befriends Mary. 

Colin Craven – Male, age 9-13 (plays a 10 year old boy).

Dickon – Male, age 11-15 (plays a 12-year-old), Martha’s brother.

The Robin – Male or Female, age child to teen, operated by an actor/puppeteer.

Archibald Craven – Male, age 30-50, Father of Colin.

When: Sunday, January 21st at 4pm
Callbacks: Monday, January 22nd at 7pm

Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

The audition will consist of a prepared song (16-32 bars) and cold readings from the script. There will be some dancing, so dress appropriately for movement if you are auditioning for a dancing role. If you have tap shoes, bring them!

What to bring: A headshot and theatrical resume if you have them plus a 16-32 bar cut of a song that demonstrates your vocal abilities. Bring an accompaniment on a phone/CD. 

Rehearsal Schedule: January 23 – February 29
Monday-Thursday evenings from 6pm-9pm

Performance Schedule: March 1 – March 30
Fridays & Saturdays at 7:30pm
Sundays at 4:30pm

Book by Tom Key & Russell Treyz
Music & Lyrics by Harry Chapin
Directed & Choreographed by Sam Williams
Music Direction by Connie Mockenhaupt & Johnny Wilder

Synopsis: With music & lyrics by Harry Chapin, and based on the book The Cotton Patch Version of Matthew and John by Clarence Jordan, this bluegrass musical is a southern reinterpretation of the gospel story – retelling the life of Jesus in modern day rural Georgia. Produced by Gary Musick Productions and Troupe America Inc.,the “Greatest Story Ever Retold” is the only Off-Broadway play to be praised by both Rolling Stone and Christianity Today, and hailed as “A Joyous Triumph” by the New York Times.

When: Sunday, February 18th at 7:00 PM
Callbacks: Tuesday, February 20th at 6:30 PM
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

***If you are unable to attend the February 18th Audition, contact the Director at kennygagni@yahoo.com to schedule an alternate audition date/time or to submit an audition video.***

The audition will consist of a singing audition and a dance audition. Dress appropriately for movement as a dance combination will be taught. If you have tap shoes, bring them. If time allows there may be cold readings from the script.

What to bring: A headshot and theatrical resume if you have them. Prepare 18-32 bars of a musical theatre song in the style of the show and bring an accompaniment on a phone/CD. Do not bring sheet music. No a cappella auditions please. Appropriate dance attire and tap shoes if you have them.

Rehearsal Schedule: February 23-April 11
Friday, February 23 at 6:00pm
Saturday, February 24 at 5pm
Monday, Feb 26-Wednesday, Feb 28 at 6:30pm (LEADS ONLY)
Starting Monday, March 4 regular rehearsals of Monday-Thursday evenings, 6:30-9:00 PM will begin.

Performance Schedule: April 12-May 12
Friday & Saturdays at 7:30 PM
Sundays at 4:30 PM

Music & Lyrics by Cole Porter
Original Book by P.G. Wodehouse, Guy Bolton, Howard Lindsay and Russel Crouse
New Book by Timothy Crouse & John Weidman

Directed by Kenny Brian Gagni
Music Direction by Heather Clark
Choreography by Connie Mockenhaupt & Devin LePage

Synopsis: The S.S. American is sailing between New York and England with a comically colorful assemblage of passengers: Reno Sweeney, a popular nightclub singer and former evangelist, her pal Billy Crocker, a lovelorn Wall Street broker who has come aboard to try to win the favor of his beloved Hope Harcourt (who is engaged to another passenger, Sir Evelyn Oakleigh), and a second-rate con man named Moonface Martin, aka “Public Enemy #13.” Song, dance, and farcical antics ensue as Reno and Moonface try to help Billy win the love of his life.

Roles:
All roles are available.

Reno Sweeney – An evangelist turned nightclub headliner. Confident, clever, and glamorous. Looking for a strong singer and actress who can dance well. A triple threat that commands the stage.

Billy Crocker – Elisha Whitney’s assistant. Friends with Reno and determined to win Hope’s affections. Charming, earnest, and lovesick. Looking for a strong singer with great comedic timing and can move well.

Hope Harcourt – A wealthy and beautiful heiress. Torn between her engagement to Lord Evelyn and love for Billy. Poised, sweet, but with a strong sense of moral duty. Looking for a strong singer who can move well.

Lord Evelyn Oakleigh – Hope’s aristocratic English fiancé. Quirky, good-natured, and gullible. Looking for an actor with great comedic timing who can sing and move well.

Moonface Martin – Public Enemy #13, disguised as a Reverend. An uncomplicated and lovable gangster. Looking for a strong comedic actor who can sing and move well.

Erma Latour – A traffic-stopping dame and Moonface’s partner in crime. Flirty, resourceful, brazen, but a little clueless. Looking for an actress with great comedic timing who can sing and move well.

Elisha Whitney – An Ivy League business tycoon. Bossy, outlandish, and a little bit drunk. Looking for an actor with great comedic timing.

Mrs. Evangeline Harcourt – Hope’s widowed mother. An elitist who is concerned with money and social status. Refined but easily panicked. Looking for an actress with great comedic timing.

Captain – The man in charge of the S.S. American. Intelligent, strong, but a little too concerned with prestige.

Purser – Reliable, alert, by the book.

Minister Henry T. Dobson – A missionary returning from China, certain he can reform Luke and John.

Luke – A presumably reformed gangster. A streetwise Brooklyn-ite.

John – Luke’s cousin. Has a conscience but is easily manipulated.

The Angels (Chastity, Charity, Purity, Virtue) – Reno’s backup posse for her nightclub act. Magnetic, attractive, and own any room they walk into. Looking for good dancers with great individual personalities. Tap is a plus.

Strong ensemble of performers who play Sailors, Passengers, Reporters, Tappers and the like! Looking for high energy singers and dancers that will be involved in multiple song and dance numbers with solos throughout.

When: Sunday, February 25th at 7pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

The audition will consist of cold readings from the script. If you are auditioning for a singing role, prepare 16-32 bars of a song that demonstrates your abilities.

What to bring: A headshot and theatrical resume if you have them. If you are auditioning for a singing role, please also bring an accompaniment on a phone/CD. There will not be an accompanist, so do not bring sheet music. No a cappella songs please.

Rehearsal Schedule: March 18th-April 18th
Monday-Thursday evenings, 6:30pm-9:30pm
Tech Week: 6:00pm-10:00pm

Performance Schedule: April 20-May 19
Saturdays & Sundays at 1pm

Book & Lyrics by R. Eugene Jackson
Music by Patsy Pollard
Directed by Allen Schmeltz
Music Direction by Hannah Hurst

Synopsis: The emphasis is on comedy in this musical adaptation of the classic fairy tale! Young audiences will find a delightful group of characters as enchanting as the magic in the story itself.  There’s Chester the Jester, Typsy the Gypsy, and the Royal Magician, who is so inept he transforms himself into a frog!  And there’s the evil Thornberry, who puts the curse on Princess Elaine (the ’sleeping beauty’), and the brave Prince Dauntless, who battles the fire-breathing dragon to break the magic spell. Rich with music underscoring, themes, and five tuneful songs, Sleeping Beauty is a delight for audiences of all ages!

Roles:
Ages from teens through adults/seniors will be considered for roles.

Chester the Jester – Any gender, singing role. Has numerous songs. This is a key role. Chester is part storyteller, part jester, part servant to the Royal Court, part stagehand. The actor should be very limber, move easily, and have good comedic timing. Dance experience is a plus. This character will be on-stage the entire show.

King Gaylord – Adult male, non-singing role.

Queen Jollianna – Adult female, non-singing role.

Tipsy the Gypsy / The Dragon – Any gender, older teen or adult, non-singing, comedic role. Should be able to move easily on stage.

The Royal Magician / Frog: Male, non-singing role

Rosemary the Good Fairy – Female, non-singing, comedic role.

Thornberry the Evil Fairy – Female, singing role (one song).

Princess Elaine: Female, singing role.

Prince Dauntless – Male, singing role.

WHEN: Saturday, December 30th at 7:00pm
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

***If you are unable to attend the December 30th Audition, you may submit an audition video via email to the Director for consideration. Your video should include your name, what role you are interested in, if any what you will be singing, and your prepared 16-32 bar cut of a musical theatre song. Your email should include your contact info and your resume and headshot (if you have them) as well as any conflicts you may have for rehearsal/performance dates. Video submissions should be sent to haleymcd02@icloud.com no later than the evening of Saturday, December 30th.***

REHEARSAL SCHEDULE: January 3rd-February 1st, 2024
Monday through Thursday evenings from 6:30 PM to 9:30 PM
Sunday, January 7th from 4:30 PM to 7:30 PM
TECH WEEK: January 29th – February 1st, 6:00 PM to 10:00 PM

PERFORMANCE DATES: February 3rd-25th
Saturdays and Sundays at 1:00 PM

Book and Lyrics by Jennifer Kirkeby
Music by Shirley Mier
Directed by Haley McDaniel
Music Direction & Choreography by Heather Clark

All ages and experience levels from children to seniors are invited to audition!

The audition will consist of a prepared song and cold readings from the script plus some dancing. Dress appropriately for movement if you are auditioning for a dancing role. There are non-singing and non-dancing roles available.

What to bring: A head shot and resume if you have them plus a prepared 16-32 bar cut of a musical theatre song of your choice. Make sure you bring a backing track on a phone or CD. No a cappella renditions or sheet music please.

Synopsis: Enter the magical world of twelve princesses who love to dance. Each night, they sing the song that allows them secret passage into the enchanted forest. Once they arrive, the trees sparkle and chime with silver and gold leaves, beautiful music plays and the spirit of their mother watches over them. In the meantime, their father, the king, is perplexed, and the shoemaker and his apprentices are exasperated, but the princesses must dance. Then one day, the king (tired of finding twelve pairs of worn shoes outside his daughters’ room each morning) issues a proclamation. The first person to discover the secret of where the princesses go each night shall receive his or her heart’s desire and eight bags of gold! After an entertaining visit from the Prince of Arrogance (“Talking about me is my favorite thing to do!”), Matthew the commoner comes to visit. And when the Spirit Mother gives Matthew an invisibility cloak, events rapidly begin to change.

CHARACTERS:
The Dancing Princesses (should be good dancers)
Annabella
Anya
Celestia
Genevieve
Giselle
Hazel
Louisa
Rosalina
Scarlet
Suzanna
Violetta
Zelda

For further information call the theatre at 916-353-1001.

WHEN: Sunday, October 1st at 1:00 PM
            (Additional auditions for those who could not make the September 17th audition date.)
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: October 16th – November 30th
6:00 PM  Not everyone is called for every rehearsal.

PERFORMANCE DATES: December 2nd – December 23rd
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM
PLUS additional performances on December 14th, 20th & 21st at 7:00 PM, and a free performance December 1st at the annual tree lighting ceremony!

Written, Created & Directed by Mike Jimena & Connie Mockenhaupt

Rated: G

SYNOPSIS: Holiday In The Hills is Sutter Street Theatre’s love letter to the Holiday Season; It takes place in the late 1800’s (give or take a year or two) right here on Sutter Street where the residents of the town and surrounding areas have gotten together for a party to celebrate the season. A lot of research went into the people and places that preceded us in the late 1800’s, and everyone you see onstage was an actual resident or visitor to Folsom at that time of year. Seeing a performance of Holiday In The Hills will put you and your family in the holiday spirit or we’ll give your money back, guaranteed.

WHAT TO BRING:
● A short song with backing tracks on your phone. There will be no accompanist
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

Actors of ALL ages are encouraged to audition.

REHEARSAL SCHEDULE: November 6th – December 7th
Monday through Thursday from 7:00 PM – 9:30 PM
Rehearsal conflicts can usually be worked out but there can be no conflicts for tech week or performances.

PERFORMANCE DATES: December 9th – December 30th
Saturdays & Sundays at 1:00 PM
PLUS additional special shows for the holiday season! December 15, 19, 20, 21, 22, 27, 28, & 29 at 4:00 PM

Book by Alan J. Prewitt
Music by Craig Bohmler
Lyrics by Steven Mark Kohn

Directed by Allen Schmeltz
Music Direction by Hannah Hurst

SYNOPSIS: A mysterious woman lives in the misty mountains, making beautiful quilts for the poor. Meanwhile, the greedy king is desperate to find happiness, assuming it will come from one of the many presents he has demanded from his subjects. When the woman refuses to give the king a quilt, she starts him on a journey of self-discovery that takes them both on an unexpected adventure.

*SEEKING 4 CHORUS MEMBERS!

1 Soprano, 1 Alto, 1 Bass, and 1 Tenor (2 males & 2 females, teen to adult – Prefer 2 males from teen through adult but will also consider females.) These four roles are a very important part of the play. They are the King’s ragtag soldiers in much of the show but also have other roles throughout. They are the thread that keeps things moving. They are usually seen together. Dancing is minimal. Good vocal skills, particularly within a group, are a plus since most of the chorus action on stage is in songs.

If interested, contact the Director at  allen@sutterstreettheatre.com or call 916-353-1001.

WHEN: Sunday, August 6th at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: August 28th – September 21st
Monday through Thursday from 7:00 PM to 10:00 PM
TECH WEEK: September 25th – September 28th, 6:00 PM to 10:00 PM

PERFORMANCE DATES: September 29th – November 5th
Fridays & Saturdays at 7:30 PM
Sundays at 7:00 PM
PLUS a special performance on Halloween! Tuesday, October 31st at 7:00 PM.

Book & Lyrics by George Reinblatt
Music by Frank Cipolla, Christopher Bond, Melissa Morris and George Reinblatt

Music Direction & Choreography by Connie Mockenhaupt
Directed by Mike Jimena

Rated: PG13 – R, Recommended for mature audiences. Parental guidance strongly advised.

SYNOPSIS: “It’s an old tale. You’ve probably heard it a hundred times. Boy and his friends go on a week-long vacation in the woods. Three friends turn into Candarian demons. One friend is killed by a forest of evil trees. Two demons are killed by their boyfriends, respectively, while one stays in the cellar trying to kill everything in sight. Like I said… pretty standard stuff.”
Evil Dead: The Musical takes all the elements of the cult classic films, The Evil Dead, Evil Dead 2, and Army of Darkness and combines them for one of the craziest, funniest, and bloodiest theatrical experiences of all time. Did we mention the blood?!

Five college students go to an abandoned cabin in the woods, and accidentally unleash an evil force that turns them all into demons. It’s all up to Ash (a houseware-aisle employee turned demon-killing hero), and his trusty chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes… and all to music.

You don’t need to be a fan of Evil Dead to love this show. You don’t need to be a fan of horror to love this show. You don’t even need to be a fan of musicals to love this show. As long as you like having fun… this show is for you.  Plus it’s the only show with a ‘Splatter Zone’ – a section of the audience that gets covered in fake blood.  And with this combination of blood, jokes, cheesy effects, and really awesome musical numbers, Evil Dead The Musical is unlike any show you’ve ever seen.  JOIN US!!!!!

**DISCLAIMERS**

This show has a LOT of fake blood. The actors must be open to/comfortable with contact with fake blood and handling fake blood props responsibly.

Actors MUST be 18+ to audition.

WHAT TO BRING:
● 16 – 32 bar cut of a song of your choice. Feel free to sing something from a musical or a rock song showcasing your voice to the best of its ability. Please bring an accompaniment on your phone. An accompanist will not be provided.
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

CHARACTER BREAKDOWN:
Ash (Male, Tenor/Baritone): The hero and iconic character of the musical. This devoted S-Mart housewares employee evolves over the course of the show from a cowardly college student to a wisecracking Deadite slayer with his detachable hand chainsaw and 12 gauge “boomstick.”

Linda (Female, Mezzo-Soprano): The girl next door. Linda is sweet, thoughtful, and completely devoted to Ash, until she turns evil and tries to kill him. She laughs an annoyingly inordinate amount of time after transforming.

Cheryl (Female, Mezzo-Soprano): Ash’s sister and the odd woman out in the group. Looking to spend a week relaxing, she is the recipient of Scotty’s jokes and torment. The only one to sense the evil surrounding the cabin, she is the first to be possessed, turning her into an aggressive, foul-mouthed demon that speaks in very bad puns. Spends the majority of the show locked in the cellar.

Scotty (Male, Tenor/Baritone): Good looking, cocky, a prankster and Ash’s best friend. Thinks himself the brave one until he’s forced to kill, then his panic leads him to flee. He returns to warn Ash about the woods and attempts to help his friend even as he is knocking on death’s door.

Shelly (Female, Mezzo-Soprano): Beautiful, easy, and not too smart. She is Scotty’s latest fling and looking to party. Just because she becomes an evil demon doesn’t mean she can’t look good doing it!

Annie (Female, Mezzo-Soprano): Quite the overbearing explorer who finds missing pages to the Necronomicon and wants to reunite with her father to continue their research. Very bossy and drawn to Ash. Must be comfortable in a tear away semi-revealing costume.

Ed (Male, Tenor/Baritone): Annie’s coworker, boyfriend, and doormat. He travels with her to the cabin to proceed with their research of the book of the dead. After turning evil, his confidence may lack but this “Bit Part Demon” is ready to sing!

Jake (Male, Tenor/Baritone): Lonely stranger with a meatloaf voice.

Ensemble Roles:
Evil Trees/Deadites/Chorus: These are the true comedians of the show. A nasty group of trees out to get the campers and will stop at nothing and the evil Deadites! Will sing and dance.

Moose: A possessed, singing, Candarian Demon moose head! That enough makes it awesome, except once moose get going they never stop! Puppetry and singing.

Click Here to Purchase Tickets

Looking for 3-5 Female dancers

As Laker Girls who will be playing additional ensemble  parts. Must be able to dance, sing and act. May be given small lines/bit parts.

Dates:
Rehearses June 5-July 7, Monday-Thursday, 6/7pm-10pm
Performs July 8-August 13, Fridays & Saturdays at 7:30pm, Sundays at 4:30pm

If interested, contact Director Connie Mockenhaupt at 916-275-5961.

WHEN: Sunday, August 27th, 2023 at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

REHEARSAL SCHEDULE: September 11th – October 5th
Monday through Thursday evenings, precise time TBD.
Possibility of a few weekend rehearsals.

PERFORMANCE DATES: October 7th – October 29th
Saturdays & Sundays at 1:00 PM

Adapted by Kathryn Schultz Miller, from the story by Washington Irving

Directed by Allen Schmeltz

SYNOPSIS: The Legend Of Sleepy Hollow is fun and spooky, adapted from the classic story by Washington Irving and presented with all the thrills, chills and laughs that keep audiences on the edge of their seats. The storybook tale revolves around three main characters—the bumbling, awkward schoolteacher Ichabod, the coquettish Katrina, and Ichabod’s brutish rival Brom Bones. It even saves the best for last—the ride of the Headless Horseman. The Legend of Sleepy Hollow is perfectly exciting family entertainment for the Halloween season!

WHAT TO BRING:
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*
The audition will consist of cold readings from the script. This is a non-musical.

CHARACTER BREAKDOWN:

Ichabod Crane: This role is precast.

Katrina Van Tassel: This role is precast.

Brom Bones (Male in his 20s-30s): Ichabod’s roaring, roistering rival.

Chorus/Ensemble (a minimum of 6, mid/late teens to young adults): The chorus never leaves the stage and keeps the play running as well as playing all the other characters (animals, ghosts etc.) in the play.

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Monty Python’s Spamalot
Book and Lyrics by Eric Idle
Music by John Du Prez and Eric Idle
Director, Musical Director, Choreographer: Connie Mockenhaupt

When: Sunday May 21 at 7:00pm
Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom 95630

All roles are open for teens and adults both male and female. No roles are precast. The audition will consist of a prepared song and cold readings from the script plus some dancing. Dress appropriately for movement if you are auditioning for a dancing role.

What to bring: A head shot and resume if you have them plus a prepared short song with backing tracks on your phone. There will not be an accompanist available.

The show runs on Fridays and Saturdays at 7:30pm and Sundays at 4:30pm from July 8 through August 13, 2023.

Rehearsals are currently scheduled from Monday through Thursday in the evenings, May 30 through July 7. There is no rehearsal currently scheduled on July 3 & 4. There can be no conflicts for tech week (July 5, 6 & 7) or the performances. We can usually work around rehearsal conflicts if they are minor.

Synopsis: Lovingly ripped off from the classic film comedy, Monty Python and the Holy Grail, Monty Python’s Spamalot retells the legend of King Arthur and his Knights of the Round Table, and features a bevy of beautiful show girls, not to mention cows, killer rabbits, and French people. Did we mention a bevy of beautiful showgirls? The outrageous, uproarious, and gloriously entertaining story of King Arthur and the Lady of the Lake will delight audiences as they search for the Holy Grail and “always look on the bright side of life.”

For further information call the theatre at 916-353-1001.