Welcome to Frozen Jr.! Below you will find the Character Descriptions and Full Synopsis along a with link to the Soundtrack.

Character Descriptions:

Vocal range top: D5
Vocal range bottom: F#3
*The script calls for a YOUNG ELSA and a MIDDLE ELSA in addition to ELSA. These parts may be split up or combined at the Director’s discretion.

KRISTOFF – Kristoff is a hardworking ice harvester. He has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend- until he meets Anna. Must be able to balance a cynical sense of humor with charming banter.
Vocal range top: A3
Vocal range bottom: G2

HANS – The ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming façade that fools everyone – including Anna – into believing he’s Prince Charming, when really, he’s just a jerk. Must be able to play both sides of this two-faced prince with relish as well as confidently sing the moments of harmony in “Love Is an Open Door.”
Vocal range top: B3
Vocal range bottom: G2

OLAF – The magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything – especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing.
Vocal range top: D4
Vocal range bottom: F#2

SVEN – Sven is a reindeer of few words, fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Must have good comic timing and terrific physical acting skills who can devise a strong movement vocabulary to bring this furry charmer to life.
Vocal range top: A4
Vocal range bottom: A3

PABBIE – The adoptive father of Kristoff and the mystical leader of the Hidden Folk who has a soft spot for “strays.” Ever-benevolent, these parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts. Featured in the crowd- pleaser, “Fixer Upper.”

BULDA – The adoptive mother of Kristoff and the mystical leader of the Hidden Folk who has a soft spot for “strays.” Ever-benevolent, these parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts. Featured in the crowd- pleaser, “Fixer Upper.”

KING AGNARR – Anna and Elsa’s father. The warm-hearted ruler of Arendelle is committed to protecting both his family and the Townspeople from his eldest daughter’s powers.

QUEEN IDUNA – Anna and Elsa’s mother. The queen possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, she has the ability to communicate with the Hidden Folk of the mountains and so understands Elsa’s powers deeply.

OAKEN – An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable. Oaken’s “Hygge” is a showstopper, so this actor must be able to portray the peppy peddler’s infectious warmth with flair and good humor.

WESELTON – A visiting noble who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton’s sole purpose is to hobnob with influencers and royalty. Must be able to portray the narrow-minded naysayer with over-the-top gusto.

BISHOP – The bishop officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner.

ENSEMBLE – The ensemble is made up of  Townspeople, the Snow Chorus, the Hidden Folk, Castle Staff, the Housekeeper, the Butler, a Handmaiden, the Cook, the Steward, Guards, the Summer Chorus, and Oaken’s Family.

Link to the FROZEN JR. soundtrack:
https://www.youtube.com/playlist?list=PL1m04KVklyHSkYGqtKxSihEr_PFnQs6D3

SYNOPSIS

WHEN: Sunday, April 6th at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630
CALLBACKS: Friday, April 11th (Invitation only)

***If you are unable to attend the April 6th Audition, you may submit an audition video via email to the Director for consideration. Your video should include your name, what role you are interested in (if any), what you will be singing, and your prepared 16-32 bar cut of a musical theatre song. Your email should include your contact info and your resume and headshot (if you have them) as well as any conflicts you may have for rehearsal/performance dates. Video submissions should be sent to kennygagni@yahoo.com no later than 11pm on Sunday, April 6th.***

The audition will consist of a prepared song (16-32 bars) and cold readings from the script.  

WHAT TO BRING:

• A headshot and resume if you have them.

• 16-32 bar cut of a song that demonstrates your vocal abilities. Please bring an accompaniment on a phone/CD.

•  A complete list of any conflicts you have during the rehearsal schedule.
    There can be no conflicts during tech week or performances.

REHEARSAL SCHEDULE: May 5 – June 12, 2025
Monday-Thursday, 6:30 PM – 9:30 PM

TECH WEEK: June 9 – June 12, 6:00 PM – 9:30 PM

PERFORMANCE DATES: June 13 – July 13, 2025
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM

Book by Allan Knee
Music by Jason Howland
Lyrics by Mindi Dickstein

Directed by Kenny Brian Gagni
Assistant Director, Lindy Mallonee
Assistant Director, Dena Jimena
Music Direction & Choreography by Connie Mockenhaupt

Rated: G

SYNOPSIS: Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

Little Women the Musical embodies the complete theatrical experience. We are seeking versatile actors who can convey the show’s themes of personal discovery, heartache, and hope, through strong vocals, strong acting, and some movement. As much as there is plenty of opportunity for female actors ranging from age teens to 60s, there are also excellent key male roles that are just as important to the story.

CHARACTERS: 

Jo March (Female, playing age 18-23) Our story’s protagonist. Passionate, resourceful, and fiercely independent. Deeply devoted to her sisters. A skeptic of romance, she eventually becomes engaged to Professor Bhaer.  Even though she is brash and headstrong, she has moments of vulnerability as she navigates young womanhood and her dreams of becoming a writer.

Amy March (Female, playing age 14-18) The youngest, most energetic sister with a rather pompous air about her. Constantly in the shadow of Jo, she is impulsive and temperamental. She ages later in the story to become a cultured and refined young woman who marries Laurie. May double as Troll.

Meg March (Female, playing age 21-25) The world-weary, yet hopeful, oldest sister who yearns for a great life. Responsible, kind, with a strong sense of moral duty. She marries John and has twins with him. May double as Clarissa.

Beth March (Female, playing age 17-21) The second youngest sister who tragically dies of Scarlet Fever. A peacemaker, lover, and an optimist who is always encouraging her sisters to dream. A virtuous and quiet soul with a passion for music and the piano. May double as Rodrigo II.

Margret “Marmee” March (Female, playing age 45-55) The girls’ mother. She is the strong backbone of the family, who is courageous in spite of the difficult odds she faces. May double as Hag.

Aunt March (Female, playing age 45-60) A formidable, overbearing matron and great-aunt to the March sisters. The wealthy socialite in town. May double as Mrs. Kirk.

Theodore “Laurie” Laurence (Male, playing age 18-23) The bright-eyed boy-next-door with considerable charm. His adventurous spirit draws him to Jo, but it is Amy who he later falls in love with.

Professor Bhaer (Male, playing age 25-45) German Professor who exemplifies proper manners. He is a boarder in Mrs. Kirk’s boarding house. Has no problem being honest and blunt with Jo, but can’t help falling in love with her.

John Brooke (Male, playing age 25-40) Laurie’s tutor. A rather stiff man, he is reserved and respectable and shows very little emotion. It is not until he meets Meg that he shows his courageous selflessness and big romantic heart.

Mr. Laurence (Male, playing age 45-60) Laurie’s grandfather and the Marches’ next-door neighbor. Mr. Laurence seems gruff, but he is loving and kind.

Mrs. Kirk (Female, playing age 45-60) The no-nonsense proprietor of the Boarding House in New York City where Jo and Professor Bhaer meet. May double as Aunt March. 

Depending on cast needs and director’s discretion, some principles may or may not double, in which case these “doubled” roles may be cast individually to actors that will serve as the ensemble.

Urgently seeking Actor for the follow role:

Father (male, playing age 30-55) – The caring father of Hansel and Gretel. A Woodcutter who is worried about how he will take care of his family.

Interested parties please contact Director Laura Luke at 916-342-5167 or lauraisacting@gmail.com

REHEARSAL SCHEDULE: March 3rd – April 3rd, Monday-Thursdays 6:30-9:30 PM

TECH WEEK: March 31st – April 3rd, 6:00-9:00 PM

PERFORMANCE DATES: April 5th – May 4th, 2025
Saturdays and Sundays at 1:00 PM

SYNOPSIS: Based on the German fairy tale collected by the Brothers Grimm in the 1812 edition of Children’s and Household Tales. A poor Woodcutter and his Wife find themselves without enough money to take care of their family, their children try to help anyway they can, including making brooms to sell in town and taking trips into the forest to gather food. When the children become lost on one such trip, they encounter a scheming Witch and her squire sidekicks who lure the children to the Witch’s gingerbread house. Soon the children must outsmart the witch and solve the mystery of other vanishing children in time to make it home to their parents. A comical twist on a classic fairytale. Rated: G.

WHEN: Sunday, June 8th at 7:00 PM
CALLBACKS: Monday, June 16th at 7:00 PM (Invitation only)

WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630
(Callbacks will be held in the Theater located at 717 Sutter Street.)

***If you are unable to attend the June 8th Audition, you may submit an audition video via email to the Director for consideration. Your video should include your name, what role you are interested in (if any), what you will be singing, and your prepared 16-32 bar cut of a musical theatre song. Your email should include your contact info and your resume and headshot (if you have them) as well as any conflicts you may have for rehearsal/performance dates. Video submissions should be sent to kennygagni@yahoo.com no later than 11pm on Sunday, June 8th.***

The audition will consist of a prepared song (16-32 bars) and cold readings from the script. There will be some dancing, so dress appropriately for movement if you are auditioning for a dancing role. This includes bringing appropriate footwear. 

WHAT TO BRING:

• A headshot and resume if you have them.

• 16-32 bar cut of a song that demonstrates your vocal abilities. Please bring an accompaniment on a phone/CD.

•  A complete list of any conflicts you have during the rehearsal schedule.
    There can be no conflicts during tech week or performances.

REHEARSAL SCHEDULE: June 18 – July 24, 2025
Monday-Thursday, 6:30 PM – 9:30 PM
Saturday, June 21st at 1 PM

TECH WEEK: July 21 – July 24, 6 PM – 9:30 PM

PERFORMANCE DATES: July 25 – August 24, 2025*
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM

***Saturday August 30th, there will be a Concert Performance of Young Frankenstein held at the Zittle Family Amphitheatre in the Historic Folsom District. This is a fundraiser performance for Santa’s Cottage, a local non-profit that provides gifts and visits from Santa to disadvantaged and special needs youth and families. Because this date is outside the established show run schedule, unavailability for this performance will not effect casting decisions. However, we highly encourage all auditionees to check this date, and if possible, make themselves available for this performance.***

Book by Mel Brooks & Thomas Meehan
Music & Lyrics by Mel Brooks
Directed by Kenny Brian Gagni
Assistant Director, Dena Jimena
Choreography by Devin LePage
Vocal Direction by Connie Mockenhaupt

Rated: PG-13

SYNOPSIS: From the creators of the record-breaking Broadway sensation, The Producers, comes this monster new musical comedy. The comedy genius, Mel Brooks, adapts his legendarily funny film into a brilliant stage creation – Young Frankenstein!

Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds.

CHARACTERS: 

Dr. Frederick Frankenstein (Male, play age 25-35) Brilliant brain surgeon, professor and grandson of mad scientist Dr. Victor Von Frankenstein. Relentless, ambitious, and unafraid to do what it takes to succeed. Vocal range: G4-Bb2

The Monster (Male) The misunderstood creation of Dr. Frankenstein. Looking for excellent physical comedic skills. Vocal range: Bb4-Db2

Igor (Male, playing age 25-35) Frederick’s faithful, bright-eyed, eager servant and friend with a hunchback. Looking for excellent physical comedic skills. Vocal range: G4-Bb2

Inga (Female, playing age 20-30) Frederick’s young assistant. Attractive and a resident of Transylvania. Seductive and irresistible, with an oblivious innocence. Vocal range: A5-G3

Elizabeth Benning (Female, playing age 25-35) Frederick’s boisterous fiancé. Vain, self-centered, she abstains from physical intimacy until she discovers “deep love”. Vocal range: F5-F#3

Frau Blücher (Female, playing age 40-60) Stern housekeeper of the Frankenstein estate and former lover of Victor Frankenstein. Committed to serve and honor his memory. Vocal range: C5-E3

Inspector Hans Kemp (Male, playing age 40-50) The head of police in Transylvania. Driven by justice, with a wooden arm and leg. Irrational and determined to squash the desires and successes of any Frankenstein. Vocal range: F4-A2

The Hermit (Male, playing age 30-60) A lonely, blind town hermit, hoping for a friend. Vocal range: F4-Ab2

Dr. Victor Von Frankenstein (Male, playing age 45-65) The infamous Dr. Frankenstein and Frederick’s grandfather. Vocal range: F4-C#2

Ziggy (Male, playing age 18-30) The village idiot. Vocal range: Eb4-D3

Ensemble (Any) Gravediggers, Villagers, Medical Students, Passengers and Mad Scientists.

WHEN: Sunday, February 2nd at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: March 3rd – April 3rd, Monday-Thursdays 6:30-9:30 PM

TECH WEEK: March 31st – April 3rd, 6:00-9:00 PM

PERFORMANCE DATES: April 5th – May 4th, 2025
Saturdays and Sundays at 1:00 PM

Adapted & Directed by Laura Luke
from the German fairy tale collected by the Brothers Grimm in the 1812 edition of Children’s and Household Tales

Rated: G

SYNOPSIS: A poor Woodcutter and his Wife find themselves without enough money to take care of their family, their children try to help anyway they can, including making brooms to sell in town and taking trips into the forest to gather food. When the children become lost on one such trip, they encounter a scheming Witch and her squire sidekicks who lure the children to the Witch’s gingerbread house. Soon the children must outsmart the witch and solve the mystery of other vanishing children in time to make it home to their parents. A comical twist on a classic fairytale.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script.

CHARACTERS:

When: Sunday, February 9th at 7:00pm
Make-up Auditions: Saturday, February 15th at 9:00am, open call

Where: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom

The audition will consist of a prepared song (16-32 bars) and cold readings from the script.
There will be some dancing, so dress appropriately for movement if you are auditioning for a dancing role. This includes bringing appropriate footwear. Dancers and actors auditioning for Adelaide please bring tap shoes if you have them.

WHAT TO BRING:

• A headshot and resume if you have them.
• 16-32 bar cut of a song that demonstrates your vocal abilities. Please bring an accompaniment on a phone/CD.
•  A complete list of any conflicts you have during the rehearsal schedule.
    There can be no conflicts during tech week or performances.

Rehearsal Schedule: February 24 – March 27
Monday-Thursday evenings from 6:30pm-9:00pm

Tech Week: March 24 – March 27
Monday-Thursday evenings from 6:00pm – 9:30pm

Performance Schedule: March 28 – April 27
Fridays & Saturdays at 7:30pm
Sundays at 4:30pm

Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Directed by Sam Williams

Synopsis: Set in Damon Runyon’s mythical New York City, Guys and Dolls is an oddball romantic comedy. Gambler, Nathan Detroit, tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for fourteen years. Nathan turns to fellow gambler, Sky Masterson, for the dough, and Sky ends up chasing the straight-laced missionary, Sarah Brown, as a result. Guys and Dolls takes us from the heart of Times Square to the cafes of Havana, Cuba, and even into the sewers of New York City, but eventually everyone ends up right where they belong.

CHARACTERS:

Sky Masterson (Male, Baritone) Charismatic, cool and charming. Sky is a suave, intelligent and confident gangster who naturally commands others’ respect and attention. Handsome, with buckets of stage presence and sex appeal, he is familiar with attracting the attention of the ladies but finds himself falling in love with the one woman who brushes off his advances. He surprises himself by discarding his spontaneous, freewheeling lifestyle for a conventional romance. Some dance/movement ability required. 

Sarah Brown (Female, Soprano) Conventional, respectable and principled, Sarah is initially a little too buttoned-up for her own good. She has genuine passion for her calling and compassion for her ‘fold’ but gives Sky an initial frosty response. The actress playing this role has to play convincingly drunk, when under the influence of alcohol she allows her straight-laced persona to slip and falls exuberantly and madly in love. She goes on a journey of reconciling her feelings with her beliefs, and changing some of her prejudices so that her head can follow her heart. 

Nathan Detroit (Male, Baritone) Organizer of the floating crap game. With a tendency towards neuroticism Nathan is a lovable rogue who is always struggling to stay one step ahead of the pack and looking for the big break he never seems to get. Funny, frustrated but romantic his heart is torn between the camaraderie of his gambling circle and the woman he loves. 

Miss Adelaide (Female, Mezzo) Lead performer at the ‘Hot Box’ a somewhat tacky and dodgy cabaret joint. Strong comic actress required with dancing ability. She spends the whole show with the symptoms of a cold, acting through sneezes and congestion. She adores Nathan but is driven crazy by his antics with the gambling ring and having been engaged to him for 15 years. 

Nicely-Nicely Johnson (Male, Tenor) Best pal to Nathan Detroit. With a voracious appetite and boundless enthusiasm, Nicely is ‘nice’ by nature and name. Comic, cheerful and likeable he delivers hilarious one-liners and a big, Broadway showstopper (‘Sit Down You’re Rockin’ the Boat’) with equal aplomb.

Benny Southstreet (Male, Baritone) Nicely’s pal with whom he sings the duet ‘Guys & Dolls’ and trio ‘Fugue for Tinhorns’. Upbeat, sometimes nervy, he is more of a novice in the gangster business and further down the pecking order

Harry the Horse (Male) Another gangster. Has come into money by collecting the reward on his father. Sidekick and mouthpiece to Big Jule, so, though a pleasant rogue, is more on the ball and can be a cool customer who is able to stand his ground when necessary. Sings with the ensemble but not alone. 

Big Jule (Male) Powerful, intimidating, high status gangster from out of town, whose reputation precedes him. A man of few words but much clout. There is comedy in his straight-talking bluntness. 

Arvide Abernathy (Male, Baritone) Sarah’s grandfather and significant member of the Salvation Army mission. Wise, warm and caring. Sings ‘More I cannot wish you’ to Sarah. 

Rusty Charlie (Male, Baritone) Sings the trio ‘Fugue for Tinhorns’ with Nicely & Benny. 

Lt. Brannigan (Male) Member of the local police force, wise to the gangsters’ exploits and trying to keep them in order. Commands respect from Nathan and the guys. 

General Matilda B. Cartwright (Female, Mezzo) Regional representative of the Salvation Army. Powerful, matronly, no-nonsense with a formidable presence and, as it happens, a sense of humor.

Hot Box Girls (Female) The chorus of performers who back-up Adelaide in her nightclub act. Strong dancing, singing and character performance required. They perform 2 numbers with Adelaide. The Hot Box girls will also be in numerous acting scenes. 

Ensemble: The ensemble makes up the characters of Times Square, gangsters and their molls, Salvation Army personnel and other cameos. We are looking for strong performers who can create individual, well-drawn characters. Featured male and female dancers will be required for the Opening in Runyonland and Broadway, Havana Sequence and male dancers for the Crapshooters Dance. They will all double into the ensemble. Other ensemble roles include Joey Biltmore, Agatha, Angie the Ox, Liver Lips Louie, Waiter etc.

Below is the character descriptions, plot summary, and soundtrack link for the 2025 Beetlejuice Jr. Workshop!

Character Breakdown

Synopsis

Link to Soundtrack:

WHEN: Sunday, September 28th at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: October 14th, 15th, 20th, 21st, 27th, 28th, November 3rd-December 4th, 6:30-9:30PM
(Not everyone will be called for every rehearsal.)

TECH WEEK: December 1st-December 4th, 6PM-10PM

PERFORMANCE DATES: December 5th – December 23rd
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM
December 18th, 20th & 23rd at 7:00 PM
PLUS an additional performance free performance the annual Historic District Tree Lighting Ceremony!

Created & Directed by Connie Mockenhaupt & Mike Jimena

Rated: G

SYNOPSIS: Holiday In The Hills is Sutter Street Theatre’s love letter to the Holiday Season; It takes place in the late 1800’s (give or take a year or two) right here on Sutter Street where the residents of the town and surrounding areas have gotten together for a party to celebrate the season. A lot of research went into the people and places that preceded us in the late 1800’s, and everyone you see onstage was an actual resident or visitor to Folsom at that time of year. Seeing a performance of Holiday In The Hills will put you and your family in the holiday spirit or we’ll give your money back, guaranteed.

WHAT TO BRING:
● 18-34 bars of a song (seasonal or otherwise) with a backing tracks on your phone. There will be no accompanist. No sheet music and no A Capella auditions please.
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

Actors of ALL ages are encouraged to audition.

WHEN: Sunday, August 10th at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: August 18th – September 25th, Monday-Thursday 6:30 PM-9:30 PM

TECH WEEK: September 22nd – September 25th, 6:00 PM-10:00 PM

PERFORMANCE DATES: September 26th – November 9th
Fridays & Saturdays at 7:30 PM
Sundays at 7:00 PM

Book & Lyrics by George Reinblatt
Music by Frank Cipolla, Christopher Bond, Melissa Morris and George Reinblatt

Music Direction & Choreography by Connie Mockenhaupt
Directed by Mike Jimena

Rated: PG13 – R, Recommended for mature audiences. Parental guidance strongly advised.

SYNOPSIS: “It’s an old tale. You’ve probably heard it a hundred times. Boy and his friends go on a week-long vacation in the woods. Three friends turn into Candarian demons. One friend is killed by a forest of evil trees. Two demons are killed by their boyfriends, respectively, while one stays in the cellar trying to kill everything in sight. Like I said… pretty standard stuff.”
Evil Dead: The Musical takes all the elements of the cult classic films, The Evil Dead, Evil Dead 2, and Army of Darkness and combines them for one of the craziest, funniest, and bloodiest theatrical experiences of all time. Did we mention the blood?!

Five college students go to an abandoned cabin in the woods, and accidentally unleash an evil force that turns them all into demons. It’s all up to Ash (a houseware-aisle employee turned demon-killing hero), and his trusty chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes… and all to music.

You don’t need to be a fan of Evil Dead to love this show. You don’t need to be a fan of horror to love this show. You don’t even need to be a fan of musicals to love this show. As long as you like having fun… this show is for you.  Plus it’s the only show with a ‘Splatter Zone’ – a section of the audience that gets covered in fake blood.  And with this combination of blood, jokes, cheesy effects, and really awesome musical numbers, Evil Dead The Musical is unlike any show you’ve ever seen.  JOIN US!!!!!

**DISCLAIMERS**

This show has a LOT of fake blood. The actors must be open to/comfortable with contact with fake blood and handling fake blood props responsibly.

Actors must be 18+ to audition.

WHAT TO BRING:
● 16 – 32 bar cut of a song of your choice. Feel free to sing something from a musical or a rock song showcasing your voice to the best of its ability. Please bring an accompaniment on your phone. An accompanist will not be provided.
●A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*

CHARACTER BREAKDOWN:
Ash (Male, Tenor/Baritone): The hero and iconic character of the musical. This devoted S-Mart housewares employee evolves over the course of the show from a cowardly college student to a wisecracking Deadite slayer with his detachable hand chainsaw and 12 gauge “boomstick.”

Linda (Female, Mezzo-Soprano): The girl next door. Linda is sweet, thoughtful, and completely devoted to Ash, until she turns evil and tries to kill him. She laughs an annoyingly inordinate amount of time after transforming.

Cheryl (Female, Mezzo-Soprano): Ash’s sister and the odd woman out in the group. Looking to spend a week relaxing, she is the recipient of Scotty’s jokes and torment. The only one to sense the evil surrounding the cabin, she is the first to be possessed, turning her into an aggressive, foul-mouthed demon that speaks in very bad puns. Spends the majority of the show locked in the cellar.

Scotty (Male, Tenor/Baritone): Good looking, cocky, a prankster and Ash’s best friend. Thinks himself the brave one until he’s forced to kill, then his panic leads him to flee. He returns to warn Ash about the woods and attempts to help his friend even as he is knocking on death’s door.

Shelly (Female, Mezzo-Soprano): Beautiful, easy, and not too smart. She is Scotty’s latest fling and looking to party. Just because she becomes an evil demon doesn’t mean she can’t look good doing it!

Annie (Female, Mezzo-Soprano): Quite the overbearing explorer who finds missing pages to the Necronomicon and wants to reunite with her father to continue their research. Very bossy and drawn to Ash. Must be comfortable in a tear away semi-revealing costume.

Ed (Male, Tenor/Baritone): Annie’s coworker, boyfriend, and doormat. He travels with her to the cabin to proceed with their research of the book of the dead. After turning evil, his confidence may lack but this “Bit Part Demon” is ready to sing!

Jake (Male, Tenor/Baritone): Lonely stranger with a meatloaf voice.

Ensemble Roles:
Evil Trees/Deadites/Chorus: These are the true comedians of the show. A nasty group of trees out to get the campers and will stop at nothing and the evil Deadites! Will sing and dance.

Moose: A possessed, singing, Candarian Demon moose head! That enough makes it awesome, except once moose get going they never stop! Puppetry and singing.

WHEN:  Sunday, June 22nd at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: July 28th-August 28th, Mondays-Thursdays 6:30-9:00 PM

TECH WEEK: August 2th-August 28th 6:00-9:00 PM

PERFORMANCE DATES: August 29th-September 21st, 2025
Fridays at 7:30 PM
Saturdays & Sundays at 4:30 PM
(No show Saturday, September 20th)

Book by Moss Hart & George S. Kaufman
Directed by TBD

Rated: PG

SYNOPSIS: The family of Martin Vanderhof lives “just around the corner from Columbia University — but don’t go looking for it.” Grandpa, as Martin is more commonly known, is the paterfamilias of a large and extended family of charming eccentrics. His granddaughter, Alice, is an attractive and loving girl who is still embarrassed by her family’s idiosyncrasies. When Alice falls for her boss, Tony, a handsome scion of Wall Street, she fears that their two families – so unlike in manner, politics and finances – will never come together. But why be obsessed with money? After all, you can’t take it with you…

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script. The script may be purchased from Concord Theatricals if you wish to look at it in advance.

CHARACTERS:

NOTE: Character age range is approximate and meant to convey the stage playing age or how the character should look, not the actual age of the performer. Performers of ALL backgrounds will be considered for ALL roles unless otherwise specified.

The role of MARTIN VANDERHOF has been pre-cast.

PENELOPE SYCAMORE (female, playing 40-55): Playwright and painter. The mother of Alice and Essie and the daughter of Martin, Penelope is hardworking, brilliantly creative, and frank. She writes multiple plays at a time, often concerned with less than savory subjects. She understands that Alice is different from the rest of the family, and desperately wants her to find happiness.

PAUL SYCAMORE (male, playing 40-55):  Pyrotechnician. Husband to Penelope and father to Alice and Essie, Paul spends most of his time in the basement creating new and explosive fireworks. Paul possesses both a genius for chemistry and a childlike wonder, and although he loves his family dearly, he is often singularly focused on his projects.

ALICE SYCAMORE (female, playing 20-26): Secretary. In a family of distracted artists and erratic geniuses, Alice is remarkably “normal”. She is deeply in love with Tony, but fears that he won’t understand her non-traditional family. Although she loves her off-beat clan, Alice tries to pass them off as normal for the sake of the Kirby’s.

ESSIE CARMICHAEL (female, playing 25-35): Ballet Dancer and Confectioner. Essie is soft, distracted, and always dancing. She is often found in the kitchen experimenting on new candies. This role requires extensive dancing, and basic pointe skills are preferred.

ED CARMICHAEL (male, playing 25-35) Xylophonist and Printer. Ed’s airy, innocent personality is perfectly suited to his wife, Essie. He provides much of the music that Essie dances to, and likes to block print random phrases he picks up throughout the day. Ed is one of the few members of the Sycamore family who regularly leaves the house, acting as a delivery boy for Essie’s candies. Xylophone skills are a plus.

RHEBA (female, playing 25-35) Housekeeper. Although Rheba’s official job is that of a housekeeper, her culinary and cleaning skills are somewhat lackluster. Rather she functions as a constructive critic and champion of the various artistic pursuits occurring in the Vanderhof household. Rheba is bubbly, quick witted, and flirtatious, the favorite of both Donald and Kolenkhov.

DONALD (male, playing 25-35) Handyman. Donald is chronically unemployed and performs various odd jobs for the Sycamores. He is sweet and a little bit slow, but is fiercely loyal to Rheba and his chosen family.

MR. DE PINNA (male, playing 40-55) Pyrotechnician and model. Mr. De Pinna is  the mailman turned pyrotechnician that assists Paul in the creation of explosives. Clever, proud, and a little vain, Mr. De Pinna also moonlights as a model for Penelope’s paintings.

BOLUS KOLENKHOV (male, playing 40-55) Ballet instructor and tsarist. Kolenkhov is Essie’s tough-love Russian ballet instructor. He is aggressive, loud, and still bitter about the Bolshevik revolution. This very physical role requires some fight choreography. A Russian accent is preferred.

TONY KIRBY (male, playing 20-26) Businessman. Tony is young, open-minded, and deeply in love with Alice. He is vice president of his father’s Wall Street company, but finds the artistic life of the Sycamores to be much more appealing.

MR. KIRBY (male, playing 40-55) Businessman. Mr. Kirby is Tony’s uptight, overstressed father. He has constant indigestion, and finds his only joy in the cultivation of expensive orchids. He is deeply unsettled by the alternative lifestyle of the Sycamores. This role also requires minor fight choreography.

MRS. KIRBY (female, playing 40-55) Housewife. Mrs. Kirby is the long-suffering wife of Mr. Kirby and the mother of Tony. She has a delicate constitution and very particular tastes, but finds emotional solace in spiritualism. She is secretly very bored by her life and would appreciate a little bit of spice in her marriage.

GAY WELLINGTON (female, playing 50-65) Actress. Gay Wellington is a drunken actress well past her prime, brought to the Vanderhof house to perform in one of Penelope’s plays. She spends most of the play drunk and/or unconscious. This role is especially physical and requires fight choreography.

OLGA KATERINA (female, playing 50-60) Waitress. Olga Katerina was a Grand Duchess and cousin to Tsar Nikolai II, but now works as a waitress in a diner. Despite her reduced circumstances she holds herself with immense dignity and is still exceptionally generous. She is an amazing cook and is brought to dinner by Kolenkhov. Ability to do a Russian accent is preferred.

HENDERSON (male, playing 30-40) IRS agent. Henderson arrives at the Vanderhof house to alert Martin that he has over 20 years worth of unpaid back taxes.

THREE GOVERNMENT OFFICIALS (any, playing 20+) These characters come to take the Sycamore’s and the Kirby’s to jail. They only have a few lines but are very physical roles.

WHEN: Sunday, March 16th at 7:00 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: March 24th-May 1st, Mondays-Thursdays 6:30-9:00 PM
Friday March 28th, Saturday March 29th, Sunday March 30th 6:30-9:00 PM

TECH WEEK: April 28th-May 1st 6:00-9:00 PM

PERFORMANCE DATES: May 2nd-June 1st, 2025
Fridays at 7:30 PM
Saturdays & Sundays at 4:30 PM
(No show on Sunday, May 25)

Book by Neil Simon
Directed by Janelle Kauffman & Connie Mockenhaupt

Rated: PG

SYNOPSIS: Al and Willie as “Lewis and Clark” were top-billed vaudevillians for over forty years. Now they aren’t even speaking. When CBS requests them for a “History of Comedy” retrospective, a grudging reunion brings the two back together, along with a flood of memories, miseries, and laughs. The story follows the attempt by a young theatrical agent to reunite his elderly uncle, a former vaudevillian great, with his long-time stage partner for a TV reunion. Despite their celebrated reputation, the two old men have not spoken in twelve years. Besides remastering their sketch, the two men have numerous issues to work out before they are ready to return to the public eye.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script.

CHARACTERS:

Seeking the following roles. All other roles in the show have been cast.

BURLESQUE NURSE (female, playing age 20s-30s) Another character for the TV show; this character’s purpose is to be the object of lewd sexual jokes; she should be blonde and curvy.

WHEN: Sunday, October 19th at 4:30 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: November 10th-December 11th, Mondays-Thursdays 6:30-9:00 PM
(No rehearsal on November 27th)

TECH WEEK: December 8th-December 11th 6:00-9:00 PM

PERFORMANCE DATES: December 13th-December 28th, 2025
Saturdays and Sundays at 1:00 PM
Additional weekday evening performances TBD

Adapted by James Still
From the 1922 Children’s Book by Margery Williams
Directed by Allen Schmeltz

Rated: G

SYNOPSIS: The Velveteen Rabbit is a fantasy play that is enjoyable for all groups (including adults). The Velveteen Rabbit is an emotional journey through time, as told through the eyes of a young man looking back on his childhood. By reliving the relationship between his 4-year-old self and his favorite toy, the Velveteen Rabbit, he rediscovers the true meaning of friendship. Central to the story is, of course, the Velveteen Rabbit, who is introduced to the idea of becoming real by the Old Rocking Horse. The play explores the rewards of loyalty, the poignancy of loss, and the wonderful, surprising power of love.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script.

CHARACTERS:

coming soon!

WHEN: Sunday, August 17th at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE:  September 2nd-October 2nd, Mondays-Thursdays 6:30-9:00 PM
(No rehearsal on Labor Day)

TECH WEEK: September 29th-October 2nd 6:00-9:00 PM

PERFORMANCE DATES: October 4th-November 2nd, 2025
Saturdays and Sundays at 1:00 PM

Book by Kathryn Shultz Miller
Directed by Allen Schmeltz

Rated: G

SYNOPSIS: One summer night four friends enter the dark, abandoned mansion that overlooks their town. Once inside, their imaginations and their fears guide them to the phantoms of their minds. As they tell their personal stories of rejection, hazing, isolation and threats of abuse, they touch on phantoms that terrify too many young people. In sharing their stories and summoning courage for each other, each grasps important clues for living better and helping each other, unencumbered by fear.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script.

CHARACTERS:

ACTOR 1: Female, appearing age 12-14.

ACTOR 2: Female, appearing age 12-14.

ACTOR 3: Male, appearing age 12-14.

ACTOR 4: Male, appearing age 12-14.

WHEN: Sunday, November 10th at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630
CALLBACKS: Monday, November 11th at 7 PM (Invitation only)
TABLE READ: Sunday, November 17th at 7 PM

REHEARSAL SCHEDULE:
December 2nd-19th, 2024 (no rehearsal on Thursday, Dec 5th)
January 6th-January 16th, 2025
Monday-Thursdays 6:30-9:30 PM

TECH WEEK: January 13th-January 16th, 6:00-9:00 PM

PERFORMANCE DATES: January 17th – February 16th, 2025
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM

Book by Ken Ludwig
Directed by Anthony DePage & Dena Jimena

Rated: PG

SYNOPSIS: It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. It is then up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger and hilarity are non-stop in this glittering whodunit set during the Christmas holidays!

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Auditions will consist of cold readings from the script.

CHARACTERS:

MADGE GIESEL (Female, Playing age early 40s): Wry and outspoken (think Rosalind Russell), Madge, like her husband Felix, is a lifelong theatrical. Is game for anything, but back her into a corner and she will come out swinging. Must have great comic chops.
Side 3 (Daria, Gillette, Felix, Madge)
Side 6 (Felix, Madge)

SIMON BRIGHT (Male, Playing age mid 20s): The handsome young man of the company, Simon is enthusiastic, eager to please and find success. Simon can occasionally be overly sensitive. Recently married to Aggie, they make a charming and wonderful couple.
Side 1 (Aggie, Martha, Simon)
Side 7 (Aggie, Simon)

DARIA CHASE (Female, Playing age 30s-40s): Glamorous and gorgeous, Daria is the theatre critic we all love to hate. Biting, snippy, and utterly charming, you can’t help but like Daria, despite the terrible things she says and writes. A wonderful sense of humor goes a long way towards endearing Daria to the audience. The actress must have wonderful comic timing and be a skilled physical comedian.
Side 3 (Daria, Gillette, Felix, Madge)
Side 4 (Daria)

INSPECTOR GORING (Female, Playing age 30s-50s): English and eccentric, completely one of a kind. By turns, witty and incisive, suddenly lost and dim, she is disarming in her inability to be defined. Always off the mark, and yet never far from the truth, somehow she always gets her man. Wonderful opportunity for a character actress; must have great comic chops.
Side 5 (Inspector, Gillette)

AGGIE WHEELER (Female, Playing age mid 20s): Bright-eyed and bushy-tailed, Aggie is the ingénue of the company. Good-natured and kind, Aggie has had tragedy in her past, though she seems to have dealt with it well, and even moved on. Recently married to Simon, they make a charming and wonderful couple. Actress needs to have a dark side.
Side 1 (Aggie, Martha, Simon)
Side 2 (Gillette, Aggie)
Side 7 (Aggie, Simon)

MARTHA GILLETTE (Female, Playing age mid 70s): Gillette’s dotty mother, elegant though a bit foggy, somewhat vague and dithering Martha never shies away from a fight. Always willing to lob a criticism when necessary, all the same, Martha is loyal to Gillette and his gang of theatrical misfits. Must have great comic chops.
Side 1 (Aggie, Martha, Simon)

WILLIAM GILLETTE (Male, Playing age mid 40s-mid 50s): Strikingly handsome man, good humored, full of irony and life. A dynamic and charming stage actor (based on a real man). Has made a fortune from his stage adaptation of Sherlock Holmes, whom he also plays. Recently shot in the arm in a bizarre incident, Gillette is determined to bring his Sherlockian skills to bear on solving the case. Must have great comic chops.
Side 2 (Gillette, Aggie)
Side 3 (Daria, Gillette, Felix, Madge)
Side 5 (Inspector, Gillette)

FELIX GEISEL (Male, Playing age early 40s): The company’s character actor, Felix is histrionic and arch. A true theatrical that has given his life to the stage, Felix is Gillette’s best friend and occasional sidekick. Married to Madge. Actor must have great comic chops and be physically strong.
Side 3 (Daria, Gillette, Felix, Madge)
Side 6 (Felix, Madge)

WHEN: Sunday, December 8th at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: December 9th-11th, 16th-18th, January 6th-January 23rd, Monday-Thursdays 6:30-9:30 PM

TECH WEEK: January 20th-January 23rd, 6:00-9:00 PM

PERFORMANCE DATES: January 25th – February 23rd, 2025
Saturdays and Sundays at 1:00 PM

Adapted by Laura Luke
from the German fairy tale collected by the Brothers Grimm in the 1812 edition of Children’s and Household Tales
Directed by Christine Lovette

Rated: G

SYNOPSIS: Join us for the magical tale of Rumpelstiltskin. The kingdom is almost out of gold after the reckless King and Queen spend the kingdom’s money on frivolous things. The Prince is trying to be the voice of reason. Hoping to get their spending under control. Rumplestiltskin has been banished from the castle for years, after he tried to become more powerful than the Royal family. He begs his mother Circe, a witch, to give him magic. He sees a way to become more powerful by taking advantage of the situation. After Malcolm the Miller brags to his friend that his daughter, Sabrina, can spin straw into gold the King and Queen hear about it and think this will save the Kingdom. Soon everyone learns the importance of a name.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script.

CHARACTERS:
Currently casting for the following roles. All roles not listed have already been cast.

SABRINA THE MILLER’S DAUGHTER (Female, playing age 20s-30s): Beautiful, smart, loving, and caring.

MALCOM THE MILLER (Male, playing age 50+): A good man with a sense of humor who loves his daughter and mourns the loss of his wife. Tends to tell stories and brags a bit.

DOUGLAS (Male, playing age 10-14): Darlene’s fun-loving son.

DELL (Male, playing age 18+): Malcom’s good friend. A farmer who grows corn and keeps an apple orchard. He is gullible and a bit of a gossip.

PRINCE ERIC (Male, playing age 20s-30s): A very good man. Sweet, noble and smart.

WHEN: Sunday, January 5th at 7 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630
CALLBACKS: Friday, January 10th at 7 PM (Invitation only)

REHEARSAL SCHEDULE:
January 20th-February 20th, 2025
Monday-Thursdays 6:30-9:00 PM

TECH WEEK: February 17th-February 20th, 6:00-9:30 PM

PERFORMANCE DATES: February 21st-March 16th, 2025
Fridays & Saturdays at 7:30 PM
Sundays at 4:30 PM

Book by Thornton Wilder
Directed by Allen Schmeltz

Rated: PG

SYNOPSIS: The story follows the small town of Grover’s Corners through three acts: “Daily Life,” “Love and Marriage,” and “Death and Eternity.” The play is narrated by the omniscient Stage Manager and performed on a bare stage with minimal set pieces and mimed props. The audience follows the children of the Webb and Gibbs families through falling in love, marriage and eventually – in one of the most famous scenes in American theatre – to the graveyard. This Pulitzer Prize winning play is a timeless favorite of audiences and actors alike.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule.
  There can be no conflicts during tech week or performances.

Audition will consist of cold readings from the script. The script may be purchased from Concord Theatricals if you wish to look at it in advance.

CHARACTERS:

Actors should look the ages indicated, however ages may be flexible. If you look close to the ages indicated. come and audition! Note: All parts are listed but several of the actors may play multiple roles.

The role of STAGE MANAGER has been precast.

DOC GIBBS (Male, playing age 40s to 50s)

MRS. GIBBS (Female, playing age 30s to 40s)

REBECCA GIBBS (young girl, playing age 10-12)

GEORGE GIBBS (Male, playing age 17 and ultimately ages to late 20s)

EDITOR WEBB (Male, playing age 40s to 50s)

MRS. WEBB (Female, playing age 30s to 50s)

EMILY WEBB (Female, playing age 17 and ultimately ages to late 20s)

WALLY WEBB (Male, playing early teen)

SIMON STIMSON (Male, playing age 30s to 50s)

MRS. SOAMAS (Female, playing age 30s to 50s)

HOWIE NEWSOM (Male, playing age 30s)

PROFESSOR WILLARD (Male, playing age 50s to 60s plus)

CONSTABLE WARREN (Male, playing age 40s to 60s)

MAN IN AUDIENCE (Adult Male, any age)

JOE STODDARD (Male, playing age 50s to 60s plus)

JOE CROWELL (young boy, playing age 10-12)

SI CROWELL (young boy, playing age 10-12)

FARMER MCCARTY (Male, playing age 40s to 60s plus)

BASEBALL BOYS (3) (Male, playing age teens)

SAM CRAIG (Male, playing age 30s)

LADY IN AUDIENCE (Adult Female, any age)

WOMAN AMONG THE DEAD (Adult Female, any age)

MAN AMONG THE DEAD (Adult Male, any age)

MISC. ADULT MEN & WOMEN FOR GRAVEYARD SCENE

WHEN: Sunday, October 27th at 4 PM
WHERE: Sutter Street Theatre Annex, 710 Figueroa Street, Folsom, CA 95630

REHEARSAL SCHEDULE: November 11th-December 12th, Monday-Thursday, 6:00-9:00 PM

TECH WEEK: December 9th-December 12th, 6PM-9 PM

PERFORMANCE DATES: December 13th – December 29th
Saturdays and Sundays at 1:00 PM
December 13, 18, 19, 20 and 27 at 4:00 PM

Book by Laurie Brooks
Based on the Little House book series by Laura Ingalls Wilder 
Directed by Joaquin Calderon

Rated: G

SYNOPSIS: In their poorest winter ever, when the crops have been devastated by locusts and the family must deal with the death of baby Freddie, Charles Ingalls backtracks his family to Burr Oak, Iowa, to take over the running of a hotel. And if things weren’t bad enough, Ma tells Laura she must be nice to Johnny Steadman, “the worst boy in Iowa.” When wealthy Mrs. Starr asks for Laura as a companion to read to her in the afternoons, Laura is overjoyed to be invited into such a fine house, but when she overhears Mrs. Starr offer to adopt Laura as her own daughter to ease the burden of so many children, Laura is certain that Ma and Pa will give her up. As Christmas morning approaches, Laura is faced with a decision: Will she choose what she believes is best for the family or will she find a way to stay with Pa, Ma, Mary and Carrie? This original play presents the poignant story of the “missing” two years in the life of the Ingalls family—the only substantial period that Laura chose not to write about in her Little House books. Told with period songs, humor and depth of character, A Laura Ingalls Wilder Christmas tells a story of healing that celebrates the importance of enduring family bonds.

WHAT TO BRING:
● A headshot and resume if you have them.
● A complete list of any conflicts you have during the rehearsal schedule. *There can be no conflicts during tech week or performances.*
● 16-32 bars of a Christmas song, sung acapella (no accompaniment).

Audition will consist of cold readings from the script as well as some improvisation games. Actors of ALL ages are encouraged to audition!

CHARACTERS:

Pa Ingalls (Male, playing 25+): The patriarch of the family, he is the timber, the structure of the Ingalls family. Intrepid and a good role model, he represents stability and does his best to provide and keep up the Christmas spirit in the harshest of winters.

Ma Ingalls (Female, playing 25+): The matriarch of the family, she is the glue and the nails of the family structure, doing her best to keep the family together. This Christmas however, her tenacity and kindheartedness is tested by the death of her youngest son.

Laura Ingalls: (Female, playing 10-12): The middle of three sisters, Laura’s trusting nature and optimism often gets her through the worst of situations, but it can also lead to mischief. She is also very imaginative and spontaneous, with the play revolving around her perspective of events.

Mary Ingalls (Female, playing 10-15): The eldest of the three sisters, Mary is often charged with being the responsible one, much to her chagrin. She takes her role diligently and tries to set a good example for her sisters.

Carrie Ingalls (Female, playing 7-10): The youngest of the three sisters, Carrie is highly opinionated and has no filter. If there’s an elephant in the room, she would be the one to point it out.

Johnny Steadman (Male, playing 10-15): A neighbor to the Ingalls family, Johnny often likes to tease, play practical joke and pranks on the Ingalls sisters, particularly Laura. He puts up a tough kid act to make up for the gimp in his leg.

Mrs. Starr (Female, playing 35+): The wealthiest woman in town, she suffers from an empty nest and seeks some Christmas cheer. She befriends the Ingalls family and likes Laura so much that she wants to adopt her.

December 13th – December 28th, 2025
Saturdays & Sundays at 1:00 PM
plus some weekday performances!

Adapted by James Still
From the 1922 Children’s Book by Margery Williams

Directed by Allen Schmeltz

Rated: G

The Velveteen Rabbit is a fantasy play that is enjoyable for all groups (including adults). The Velveteen Rabbit is an emotional journey through time, as told through the eyes of a young man looking back on his childhood. By reliving the relationship between his 4-year-old self and his favorite toy, the Velveteen Rabbit, he rediscovers the true meaning of friendship. Central to the story is, of course, the Velveteen Rabbit, who is introduced to the idea of becoming real by the Old Rocking Horse. The play explores the rewards of loyalty, the poignancy of loss, and the wonderful, surprising power of love.

Click Here to Purchase Tickets

October 4th – November 2nd
Saturdays & Sundays at 1:00 PM

Book by Kathryn Shultz Miller

Directed by Allen Schmeltz

Rated: G

One summer night four friends enter the dark, abandoned mansion that overlooks their town. Once inside, their imaginations and their fears guide them to the phantoms of their minds. As they tell their personal stories of rejection, hazing, isolation and threats of abuse, they touch on phantoms that terrify too many young people. In sharing their stories and summoning courage for each other, each grasps important clues for living better and helping each other, unencumbered by fear.

Approx. Run Time: 45 minutes

Click Here to Purchase Tickets